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Dracula
When Dracula leaves the captive Jonathan Harker and Transylvania for London in search of Mina Harker—the reincarnation of Dracula's long-dead wife, Elisabeta—obsessed vampire hunter Dr. Van Helsing sets out to end the madness.
Francis Ford Coppola
Casts & Crew
Gary Oldman
Winona Ryder
Anthony Hopkins
Keanu Reeves
Richard E. Grant
Cary Elwes
Billy Campbell
Sadie Frost
Tom Waits
Monica Bellucci
Michaela Bercu
Florina Kendrick
Jay Robinson
I.M. Hobson
Laurie Franks
Maud Winchester
Octavian Cadia
Robert Getz
Dagmar Stansova
Eniko Öss
Nancy Linehan Charles
Tatiana von Fürstenberg
Jules Sylvester
Hubert Wells
Daniel Newman
Honey Lauren
Judi Diamond
Robert Buckingham
Cully Fredricksen
Ele Bardha
Alain Blazevic
Mark Borkowski
Mary Cornell
Tina Cote
Christina Fulton
Jeffery Thomas Johnson
John F. Kearney
Paul Klar
Michael Laren
Moreen Littrell
Joe Murkijanian
Adamo Palladino
Philip Pucci
John Michael Quinn
Heidi Schooler
Damon Stout
Also Directed by Francis Ford Coppola
A love story wrapped in a mystery. Set in Europe before WWII, professor of language and philosophy Dominic Matei is struck by lightning and ages backwards from 70 to 40 in a week, attracting the world and the Nazis. While on the run, the professor meets a young woman who has her own experience with a lightning storm. Not only does Dominic find love again, but her new abilities hold the key to his research.
Thirteen filmmakers talk about Henri Langlois and their relationship with him.
When Rudy Baylor, a young attorney with no clients, goes to work for a seedy ambulance chaser, he wants to help the parents of a terminally ill boy in their suit against an insurance company. But to take on corporate America, Rudy and a scrappy paralegal must open their own law firm.
Peggy Sue faints at a high school reunion. When she wakes up she finds herself in her own past, just before she finished school.
In the midst of trying to legitimize his business dealings in 1979 New York and Italy, aging mafia don, Michael Corleone seeks forgiveness for his sins while taking a young protege under his wing.
When a housewife finds out she is pregnant, she runs out of town looking for freedom to reevaluate her life decisions.
One summer in a small town, piles of feces start appearing everywhere, the sewers are overflowing, and nobody can do anything about it. However a small band of local children will rise up against this evil force, but will they be able to before it's too late, or are they in deep sh-
Celebrating the 30th Anniversary of The Godfather: Part III, director/screenwriter Francis Ford Coppola brings a definitive new edit and restoration of the final film in his epic Godfather trilogy—Mario Puzo’s THE GODFATHER, Coda: The Death of Michael Corleone. Michael Corleone (Al Pacino), now in his 60s, seeks to free his family from crime and find a suitable successor to his empire. That successor could be fiery Vincent (Andy Garcia)... but he may also be the spark that turns Michael's hope of business legitimacy into an inferno of mob violence. The film’s meticulously restored picture and sound, under the supervision of American Zoetrope and Paramount Pictures, includes a new beginning and ending, as well as changes to scenes, shots, and music cues. The resulting project reflects author Mario Puzo and Coppola’s original intentions of The Godfather: Part III, and delivers, in the words of Coppola, “a more appropriate conclusion to The Godfather and The Godfather: Part II.”
Michael Corleone (Al Pacino), now in his 60s, seeks to free his family from crime and find a suitable successor to his empire. That successor could be fiery Vincent (Andy Garcia)... but he may also be the spark that turns Michael's hope of business legitimacy into an inferno of mob violence. The film’s meticulously restored picture and sound, under the supervision of American Zoetrope and Paramount Pictures, includes a new beginning and ending, as well as changes to scenes, shots, and music cues. The resulting project reflects author Mario Puzo and Coppola’s original intentions of The Godfather: Part III, and delivers, in the words of Coppola, “a more appropriate conclusion to The Godfather and The Godfather: Part II.”
Three stories happening in New York. The first, by Scorsese, is about a painter who creates his works helped by high volume music and an attractive assistant; second, by Coppola, is about a rich and bold 12 years old who helps her separated parents to reconciliate; third, by Allen, is a witty piece of comedy about the impossibility of getting rid of the son's role.