Dream
Dreams: that cinema of the mind in which we are both spectator and protagonist, where anything is always seamlessly possible, where the most implausible encounters are commonplace.
David Wharry
Director
Dreams: that cinema of the mind in which we are both spectator and protagonist, where anything is always seamlessly possible, where the most implausible encounters are commonplace.
Professor Anatole Lacoste is having a meeting with one of the agents of doctor Brain at a Jackson Pollock exhibition at Centre Pompidou. Meanwhile, Deborah is about to take a bath when burglar Torlim Novak breaks into her house. Everything seems to be normal when the computer at the control station spots an anomaly in the way history functions. But how does one stop the film?
On a coffee plantation near Havana in the early 19th century, a slave’s impossible love for the owner’s daughter.
What do you remember about a film when you haven’t seen it for ten years? James McCourt’s memory is prodigious. In an office in the Rockefeller Center in Manhattan, the American writer recounts his favourite film, Douglas Sirk’s 1956 melodrama WRITTEN ON THE WIND, scene by scene, sometimes almost shot by shot.
Shot-by-shot description of John Boorman’s neo-noir film (1967), starring Lee Marvin, co-starring Angie Dickinson, Keenan Wynn and Carroll O’Connor.