Dwie milosci

For con men, the game of trickery is at least as important as any monetary reward they might seek. In this wry Polish film, a con-man (Piotr Fronczewski) has just been released from prison. A real artist of conmanship, he starts back at his old tricks slowly, but his deceptions grow ever more elaborate and travel steadily up the ladder of society until he has local politicians and important government ministers involved in his schemes.

Anna and Pawel Kowalski lead a happy life in Gdansk, Poland, until their 8 year old son Tomek gets hit by a car. Not only is Tomek badly injured, his father proves not to be suitable as a blood donator. Pawel accuses his wife of betrayal of confidence, but she knows that only her husband can be the father of their child. She fears the worst: if Pawel isn't the biological father, she cannot be the biological mother.

Eugeniusz Kwiatkowski is a widely forgotten politician and economic activist who greatly contributed to Poland’s growth. Where did he come from? What is the secret to this phenomenon of a man whose initiatives form the basis of the Polish economy to this day? Why was he so ruthlessly banished from public life?