Egoiści
Przemysław Nowakowski
Mariusz Treliński
Mariusz Treliński
Wojciech Nowak
Casts & Crew
Jan Frycz
Magdalena Cielecka
Maja Ostaszewska
Olaf Lubaszenko
Rafał Mohr
Agnieszka Dygant
Violetta Kołakowska
Marek Żerański
Also Directed by Mariusz Treliński
n his first year as Musical Director of Valencia's Palau de les Arts exciting, fast-rising young conductor Omer Meir Wellber scores a triumph with Tchaikovsky's most beloved opera Eugene Onegin. In Trelinski's timeless production he leads a superb, first-class young cast headed by Artur Ruzinski as Onegin and Kristine Opolais as Tatyana. Mariusz Trelinski, Polish filmmaker and theater director, has created a series of dream-like, surrealist tableaux of great suggestive beauty.
Met audiences were fascinated by Mariusz Treliński’s gripping, visionary production of Wagner’s epic opera. In the daunting title roles of the doomed lovers, Nina Stemme and Stuart Skelton are passionate, overwhelming, and heartbreaking as they battle every obstacle that separates them from their true destiny. René Pape is King Marke, betrayed not only by Isolde but by Tristan, the man he most trusts and loves like a son. With Ekaterina Gubanova as Isolde’s confidante Brangäne and Evgeny Nikitin as Kurwenal, Tristan’s loyal lieutenant. Simon Rattle conducts a surging, shimmering account of Wagner’s monumental score.
A grieving man tries to find the cause of his young wife's suicide by spending the night next to her dead body and bringing back memories from their past.
Decadence, homosexuality, excess wealth, infidelity, alcoholism and drugs all played a major role in the decline of aristocracy.
Young Renata hears voices. Since her childhood, she has been visited by a fiery angel with sublime radiance. Mad about him, gone in search of him since he abandoned her, she meets on her way the knight Ruprecht who, out of love for her, will try to tear her away from this carnal possession. From tavern to convent, between scenes of spiritualism or exorcism, collective hysteria or burlesque humor, nothing is lacking at L'Ange de feu.
Roy, who lives abroad, recollects his youth. Soon he receives news about his old friend's death.
‘You could have a blow job aria – begins with words, ends with humming.’ Using the story of a public scandal, the librettist Philip Hensher inspired the 23-year-old British composer Thomas Adès to portray the fall of the libertine and notorious socialite beauty the Duchess of Argyll, remembered in history as the Dirty Duchess. Powder Her Face is inspired by a sex scandal in 1963 that shocked the British upper class.