Everything's Fine, We're Leaving

Strange comings and goings in a boarding house kept by two old Buddhist Asian women: the recalcitrant cook chats up the idle chamber maid by going to fetch crabs in the attic; a hunted man, after sensual exchanges with a bare chested boy, ends up upstairs and dies; a motionless female client unsettles, by her silence, the habits of the household who dance before her…

The struggles of a 28-year-old mother in Lyon who tries to combine her love life and raising her 12-year-old rebel son.

In this black and white drama, a boy and his uncle, Italian immigrants in France, live together in a housing block. The boy is a very sensitive young fellow, and and doesn't understand how his uncle can possibly find bullfighting so attractive, and how he can, apparently without feeling, kill a sheep. Later, a woman by the name of Pandora enters their lives, and a complicated rivalry among all three develops as they vie for one another's attentions.

A family of farmers has to deal with the retarded elder son. He gets everybody bored and tired of him, even his cow to whom he goes to talk to several times a day.

With the ghost of Delphine, a sociétaire who committed suicide several months earlier, still hanging over the place, an unexplained series of backstage murders occurs at the Comédie-Française. Domont and his associate Strozzi investigate at this famous institution, where power plays and rivalries are the norm.