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A personal take on working with Harold Pinter via intimate conversations with actors, directors and writers who share their experiences of the man and his work.

The wife of a public school head becomes gradually aware that her husband has been physically abusing his pupils, causing the death of one and brain damage and double vision in another (recreated by simply sticking mirrors beside the camera lens).Written by the master of late-middle-age morality plays, William Trevor.

The first Play for Today

A woman's unfulfilling marriage leads her into a passionate affair with a wealthy extramarital lover.

The Anthony Newley/Leslie Bricusse London and Broadway musical hit Stop the World, I Want to Get Off is given literal treatment in this filmization. Newley stars as Littlechap, whose allegorical rise to success is countered by the instability of his private life. Like the play, the film is staged impressionistically, with Newley decked out in mime makeup and periodically stopping the action to address the audience, and with all the women in his life -- German, American and "Typically English" -- played by a single actress (Millicent Martin, taking over from the stage version's Anna Quayle). In Wizard of Oz fashion, the play itself is lensed in color, while the brief prologue, showing the actors preparing for their performance, is in black-and-white. The production includes such standards (and perennial audition pieces) as What Kind of Fool Am I? and Gonna Build a Mountain.

In the Golden Age of Hollywood, two men had it all; one was a top screenwriter, the other a film idol. But when the witch hunts of McCarthyism swept into Tinseltown, it drove one out of the country and the other to suicide.

The Wednesday Play is an anthology series of British television plays which ran on BBC1 from October 1964 to May 1970. The plays were usually written for television, although adaptations from other sources also featured. The series gained a reputation for presenting contemporary social dramas, and for bringing issues to the attention of a mass audience that would not otherwise have been discussed on screen.

Based on the fact-based novel by Nazi-hunter Simon Wiesenthal based on his 1962 prosecution of the head of a German factory whom he learns was a murderous labour camp commandant. To be able to take him to justice, he must find witnesses who can help him. This leads him to Max Rosenberg, a still tormented individual who lost his wife, Helen, in the camps. Initially Max refuses to cooperate, but gradually his story unfolds beginning before the Holocaust.

TV play by Bernard Kops. Moss is a miser who only love is his grandson. Then tragedy strikes and Moss is "reborn".

Drama based on the true story of Deacon Brodie one of Scotland's most notorious criminals. In 1788 Deacon Brodie a master cabinet maker and town councillor is a rogue and a hedonist. He steals money but gives it back. He attempts to steal a fortune from the city's Customs and Excise office but the attempt fails and he is caught. There is a widely-publicised trial and he is sentenced to death to be hanged on the gallows he designed.