Far Side of the Moon

In this French Canadian thriller, an actress wins the role of a murder victim in a film based on the true story of an unsolved crime. She discovers her neighbor was the lover of the woman who was murdered in real life -- and is still a suspect.

The year is 1952, in Quebec City. Rachel (16), unmarried and pregnant, works in the church. Filled with shame, she unburdens her guilt to a young priest, under the confidentiality of the confessional. In the present year of 1989, Pierre Lamontagne has returned to Quebec to attend his father's funeral. He meets up with his adopted brother, Marc, who has begun questioning his identity and has embarked on a quest for his roots that would lead them to the Quebec of the 1950s. Past and present converge in a complex web of intrigue where the answer to the mystery lies.

Robert Lepage’s landmark staging of Wagner’s Der Ring des Nibelungen, unveiled over the course of the 2010–11 and 2011–12 seasons, was the first new Met production of the complete cycle in more than 20 years. Combining state-of-the-art technology with traditional storytelling, it brings Wagner’s vision into the 21st century. In this first part of the epic, the theft of the Rhinegold treasure sets in motion the course of events that will change the world and end the rule of the gods. Met Music Director James Levine conducts a cast of some of the greatest Wagnerian singers of our time, including Bryn Terfel as Wotan, Stephanie Blythe as Fricka, and Eric Owens as Alberich.

Robert Lepage’s landmark staging of Wagner’s Der Ring des Nibelungen, unveiled over the course of the 2010–11 and 2011–12 seasons, was the first new Met production of the complete cycle in more than 20 years. Combining state-of-the-art technology with traditional storytelling, it brings Wagner’s vision into the 21st century. With Die Walküre, the story of the Ring enters the world of human beings. Jonas Kaufmann and Eva-Maria Westbroek are Siegmund and Sieglinde, the twin children of Wotan, sung by Bryn Terfel. Deborah Voigt stars in the title role of the Valkyrie Brünnhilde, Wotan’s favorite daughter. James Levine conducts.

Ring Cycle, pt 4. Siegfried is drugged and tricked into kidnapping his wife, since she has the Ring now. More double-crossings, Siegfried ends up dead. Brunnhilde has had enough of this, tosses the Ring into the river and torches the place.

The same man lives out several parallel lives in different "worlds" and in different relationships at the same time.

Adapted and inspired from the play Lipsynch, Triptyque is a contemporary urban saga that tells the story of Michelle (Lise Castonguay) a schizophrenic bookseller, Marie (Frédérike Bédard), singer and actress, and Thomas (Hans Piesbergen), a German neurologist. Three lives, three destinies that cross and resonate, Triptyque is a sensitive and deeply moving variation on the themes of memory and identity.

Composer Thomas Adès conducts the Met premiere of his powerful opera based on Shakespeare’s last play, in Robert Lepage’s brilliantly inventive production. Simon Keenlyside is the magician Prospero, who conjures the storm that shipwrecks his enemies and sets in motion the course of events. Rising Met stars Isabel Leonard and Alek Shrader are the young lovers, Miranda and Ferdinand, Alan Oke sings the sinister Caliban, and Audrey Luna gives a memorable performance as the sprite Ariel.

The third of the four music dramas in Richard Wagner's Der Ring des Nibelungen. The dwarf Mime, who has brought up Siegfried, makes a sword for him, so that he may kill the dragon Fafner and regain the ring, which Mime then plots to recapture. Siegfried learns he is the son of Sieglinde, who died when he was born. Siegfried melts the pieces of the legendary sword Nothung and repairs it. Alberich and Wotan seek to warn the dragon in return for the treasure, but fail. Siegfried is led by Mime to the cave, where he kills the dragon. A forest bird tells Siegfried to beware Mime. Understanding Mime’s murderous thoughts, Siegfried kills him. The bird also sings of the sleeping Brünnhilde. Wotan understands that Siegfried must wake Brünnhilde, who will save the world. Siegfried meets the Wanderer, Wotan, and with his sword breaks the latter's spear and power. He wakens the Brünnhilde, who gives up Valhalla and the gods for the love of the mortal hero, her love putting an end to her knowledge.

Inspired by one of the twentieth century's greatest novels, composer Lorin Maazel evokes Orwell's totalitarian nightmare, where "Big Brother" is always watching, and those guilty of "thoughtcrime" are condemned to face their worst fears in the infamous "Room 101". Filmed during world premiere performances of Robert Lepage's spectacular and psychologically gripping Royal Opera production and conducted by the composer, an international cast brings Orwell's datk vision to shattering operatic life.