Fear, Anxiety & Depression

Abe is a man who is in his thirties and who lives with his parents. He works regretfully for his father while pursuing his hobby of collecting toys. Aware that his family doesn't think highly of him, he tries to spark a relationship with Miranda, who recently moved back home after a failed literary/academic career. Miranda agrees to marry Abe out of desperation, but things go awry.

Aviva is thirteen, awkward and sensitive. Her mother Joyce is warm and loving, as is her father, Steve, a regular guy who does have a fierce temper from time to time. The film revolves around her family, friends and neighbors.

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.

The story follows a young male protagonist as he recalls the babysitters of his youth.

Wiener-Dog tells several stories featuring people who find their life inspired or changed by one particular dachshund, who seems to be spreading a certain kind of comfort and joy. Man’s best friend starts out teaching a young boy some contorted life lessons before being taken in by a compassionate vet tech named Dawn Wiener. Dawn reunites with someone from her past and sets off on a road trip picking up some depressed mariachis along the way. Wiener-Dog then encounters a floundering film professor, as well as an embittered elderly woman and her needy granddaughter—all longing for something more.

College and high school serve as the backdrop for two stories about dysfunction and personal turmoil.

His first film shot with sound, Feelings is a two and a half minute movie made as an NYU film school assignment in 1984. Solondz himself takes the lead role of a sensitive young man who finds he can no longer endure life without his beloved. Photographed by Andy Day, the film is set to Todd Solondz's personal rendition of the song "Feelings" by Morris Albert.

Friends, family, and lovers struggle to find love, forgiveness, and meaning in an almost war-torn world riddled with comedy and pathos. Follows Solondz's film Happiness (1998).

The lives of many individuals connected by the desire for happiness, often from sources usually considered dark or evil.

Solondz’s 1985 student short film “Schatt’s Last Shot” provides an ideal entry point to his unflinching universe of dark comic despair. A young Solondz stars in the 10-minute short as geeky high schooler Ezra Schatt, a neurotic, primitive headcase of the young Woody Allen variety. Buried under thick, unseemly glasses and an endlessly dazed expression, Ezra’s worst enemy is basketball. Unable to make a single basket under the brutal pressures of his vulgar gym teacher (“You’re shit, Schatt!”), Ezra also fails at both impressing the cheerleader of his dreams and realizing his aspirations of attending MIT.