Fit to Be Untied
Via the New York Times: "This documentary was distilled from a 3 1/2-hour television film Nessuno o Tutti, to make the point that many inmates now in mental hospitals could be released without harm to society, and to their advantage. Both patients -- chosen for their ability to talk before a camera -- and sponsors in the community at large are interviewed to promote the concept of the patients' re-integration into the outside world. Three men (Paolo, Angelo, and Marco -- a mentally handicapped youth) talk to the interviewers about their own perspectives, and while the success of the mentally handicapped working at one plant is illustrated, the implied excesses of hospitals run by the Catholic Church are also discussed. Filming was not allowed inside those institutions."
Casts & Crew
Silvano Agosti
Marco Bellocchio
Sandro Petraglia
Stefano Rulli
Also Directed by Sandro Petraglia
Directed by a group of avant-garde filmmakers, the film is an investigation of the less edifying aspects of film industry.
Also Directed by Stefano Rulli
A collective film made of nine episodes characterized by a critical and pessimistic attitude towards the future of Italy in the case of the ascension of the center-right government of Berlusconi.
Directed by a group of avant-garde filmmakers, the film is an investigation of the less edifying aspects of film industry.
Also Directed by Marco Bellocchio
The story of the descent into madness of Mussolini's secret first wife, Ida Dasler, who was seduced by his passion and vigour but blind to the fascist dictator's many flaws. A historical drama with the passion, lyricism and tragedy of a classical Italian opera. Nominated for the Palme d'Or at the 2009 Cannes Film Festival.
This European existential drama utilizes complex symbols inspired by abstract psychological theories to explore the effects and reasons behind a young classical actor's decision to stop talking. No one knows why Massimo has vowed to stop talking. Other than speaking dialog from classical plays, Massimo refuses to say a single word. His father, a classic-literature professor believes it reflects to a disappointing love affair. His new girlfriend thinks Massimo is rebelling against his mother, a poet. A director learns of Massimo and commissions his mother to write a play about him. Though Massimo plays himself in the play, and does speak, he returns to silence when the play is finished.
The tragic story revolves around the licentious Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's beautiful daughter Gilda. The opera's original title, La maledizione (The Curse), refers to a curse placed on both the Duke and Rigoletto by a courtier whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from assassins hired by her father.
A family story in the city of Bobbio between 1999 and 2008.
Turin, 1969. Nine-year-old Massimo’s idyllic childhood is shattered by the mysterious death of his mother. The young boy refuses to accept this brutal loss, even if the priest says she is now in Heaven. Years later in the 90s, adult Massimo has become an accomplished journalist. After reporting on the war in Sarajevo, he begins to suffer from panic attacks. As he prepares to sell his parents’ apartment, Massimo is forced to relive his traumatic past. Compassionate doctor Elisa could help tormented Massimo open up and confront his childhood wounds…
A celebrated painter receives a visit from a cardinal's assistant, who informs him that his mother could become a saint.
Ale, a deeply disturbed young man subject to seizures, benignly decides to murder members of his dysfunctional family for altruistic reasons.
A young writer is trapped between his awful actress mother and the knowledge that he has only a mediocre talent as a playwright and almost no force of character.
The freshly graduated psychiatrist David shall deliver an opinion about young Maddalena, who's on trial for murdering a hunter. She claims she's a witch and acted on behalf of the devil.
Also Directed by Silvano Agosti
A man walks with his child on the grass of a hill. He reaches an old country house, where years before he had spent his childhood during World War II. The deserted and desolate rooms make him travel back in memory to the time when the war was ending. Episodes of family life pass before his eyes: father, mother, grandmother and six children, of which he, Silvano, the youngest, was made mute by the shock of a bomb exploding...
The director interviews five people with different backgrounds about love and sex.
Enrico Berlinguer (Sassari, May 25, 1922 - Padua, June 11, 1984) was an Italian politician, general secretary of the Italian Communist Party from 1972 until his death.
A married couple lives for fifteen years in the desert of marriage in an unnatural sentimental existence. Then the question of an abortion arises. The absence of a reciprocal desire causes a heavy and untrue behavior. They are practically two puppets. But one day something special happens in their life. A new existence starts, based on a more careful attention of the one for the other. The search of a love' s desire finally becomes credible and needed. And day by day the two rediscover themselves and learn how to really love each other.
Charlo and Carla are on their honeymoon. She is three months pregnant. He, furious about his marriage of convenience, recalls the past and ponders on The Garden of Earthly Delights by Hieronymus Bosch, dear to the Surrealists. While she is bleeding, he spends the night with a beautiful stranger...
A group of pilgrims in the Vatican is trapped in an enclosed elevator. Then chaos erupts, and repressed urges come to the surface.
“A future historian, if he or she is honest, will feel a legitimate need to place the decade 1968 to 1978 alongside the great events that changed the world, such as the French and Russian Revolutions”. This was the guiding idea to which we entrusted, with considerable emotion, our personal memory and the archive footage that we took and collected during those years and which represent the physical body of the battles fought and victories gained everywhere during those ten years. Their value, in a country like Italy which has lost its memory, is a rare witness to the power of human dignity in a constant struggle for its redemption.