Four Chapters

Director Suman Mukhopadhyay has strung three stories of Nabarun Bhattacharya Ek Tukro Nyloner Dori, Amar Kono Bhoy Nei Toh and Angshik Chandragrahan to create this film. The story of the film revolves around the people and their life of Kolkata metropolitan city.[1] The film explores the different worlds of Manmatha, Jagadish, Biren, Rohit, Rongili and Kamalini. Manmatha and Jagadish belong to different economic and social class. Biren is jobless. Rohit is an NRI, Kamalini is wife of Rohit. Rohit has a relationship with Rangili, another woman. ~Wikipedia

A humble protest against those who tend to play with the lives of humans as if they were puppets.

Doll’s House is a Hindi play starring Swastika Mukherjee, Subhrajyoti Barat, Ratnabali Bhattacharya and Dibyendu Bhattacharya. Keya is a pampered wife and her husband, Shubhodeep, treats her like his most prized possession. All decisions are made by Shubhodeep and the only time Keya lies to her husband is when she takes help from Bansi, her husband’s colleague. Will Bansi spill the beans and put her marriage at stake?

Fyataroo: Flying human beings; Choktor: Black Magic sect Bhodi, the head of the Choktors, initiates a total war against the ruling communists of West Bengal, India. Fyataroos join hands with Choktors. Advised by Calcutta's progenitors Dandabayash (ageless primordial talking crow) and an Indo-colonial half-breed Begum Johnson(1732-1818) erupt a historic insurrection. They jointly launch guerrilla attacks against the Government. Skulls dance in crematoria and flying-discs flutter in the skies and cry anarchy, resident ghosts gossip and prattle, and the police is in total confusion. Government is forced to surrender and offer a peace proposal to the joint force. The film dissects almost everything wrong in the city with a cinematic knife sharpened on trenchant farce and fantasy. It is an anarchist film. —Anonymous

The film recounts the love story of Amit Ray, a barrister educated at Oxford, whose virulent intellectualism reveals itself in its opposition to all forms of tradition. He meets Labanya in a car accident and the romance builds up in the misty hills of Shillong. The iconoclastic Amit clashes with the sincerely simple Labanya. Labanya releases Amit's own submerged depth of sincerity, which he finds hard to adjust to. The struggle makes him a curiously pathetic figure. The tragedy is understood by the girl who releases him from his troth and disappears from his life.

Based on Nabarun Bhattacharyas novel of the same name which won the highest literary prize in India in 1997, Suman Mukhopadhyays debut feature Herbert is a deeply moving and artistically accomplished motion picture full of profound laughter, pathos, and humanity.

'Nazarband', the National Award-winning filmmaker's first outing in Hindi, is inspired by a short story by much- revered Bengali writer Ashapurna Devi and depicts the journey of two young people.

Indrajit (played by the consistently stellar Ritwick Chakraborty) is an intelligent if indecisive man of 35 on holiday from Kolkata to visit his old college friend Moloy. He arrives to find Moloy constantly battling with his neglected wife Tuki, a formidable woman seeking elsewhere for the tenderness she fails to receive at home. In town, Indrajit comes across a familiar man whose insistence that they’ve never met before clearly masks an intriguing secret. Then, Indrajit runs into an old lover and her jealous husband, setting the stage for some fierce confrontation.

Based on true events, the story revolves around a psychologically disturbed mother who coerces her daughters into a life of crime. Their case becomes a national sensation in India, overnight, these women are monsters personified.

Five directors come together to narrate five different romantic tales, with one common ingredient - "Love".