Françoise Dolto, for the love of children

Serge Daney was successively critic and editor of Cahiers du Cinéma in the 60s and 70s, then critic at Libération before founding Trafic a few months before his death. Through the dialogue established between some filmmakers of today and the thought of Serge Daney on the most diverse subjects, the film is the reconstitution of the look of a moviegoer on the world and the confrontation with our time.

Documentary about the work of Nouvelle Vague actor Jean-Pierre Léaud, with interview clips, film clips and contributions from directors and actors he has worked with.

African filmmaker Idrissa Ouedraogo (YAABA) discusses the influence that Charlie Chaplin has been on his work, along with archival footage of interviews with several of Chaplin's co-stars.

Documentary film.

A double of Sacha Guitry watches several scenes from the artist's films, reads out his letters, goes through his personal archives, and even asks opinions from other film directors on the phone.

In 1978, Gilles Jacob landed what must seem like a dream job to many film buffs -- he became the director of the Cannes Film Festival, the world's biggest and most prestigious event for international cinema. Born in 1930 to a Jewish family, Jacob survived World War II by hiding out in a Catholic seminary, and developed a passion for movies as a teenager, attending school alongside future director Claude Chabrol. In his late teens, Jacob founded his own film magazine, Raccords, and he later became the chief film reviewer for L'Express (where he lost his job for having the temerity to give The Story of O a bad review). In 1978, Jacob took over as director of the Cannes Film Festival, and set out to make the world's greatest film festival even better by creating new showcases for promising talent (while still maintaining room for gifted veteran filmmakers), expanding the facilities and continuing to entertain and challenge audiences each year.

Documentary about new chinese cinema.

François Marcorelle, an investigation magistrate in Chambéry, finds himself in the room of a young Polish girl that he met in a restaurant

January 1966. In a Paris apartment, police discovered the corpse of Georges Figon, the man who broke the scandal of the Ben Barka affair and undermined Gaullist power. A year earlier, Figon, tired of dubious deals and petty scams, is looking for a juicy blow. Close to the "middle" since his years in prison, he was given a large mission: to produce a documentary about decolonization, written by Marguerite Duras and directed by Georges Franju, with the help of the famous Moroccan opponent Mehdi Ben Barka, hired as a historical consultant. This film project is a trap ...