From Our Copenhagen's Correspondent

A small town in Italy is about to celebrate their patron saint. The city is full of people with different problems. A Communist in existentialist crisis that also must take care of his mentally ill wife. A woman who is tired of her husband's inability to show emotions and therefore more and more often slips into the world of dreams. A perverse butcher engaged in sex with the meat he sells when he's not peeping on young girls. A girl who became pregnant after having sex with her father. In this town a mysterious stranger show up and who turns on several of the inhabitants lives.

Conqueror of the World, a thrilling and explosive story of violence...of human drama, of a rare man, strong and primitive. Set two hundred thousand years ago, when the human race had to adapt to their brutal, savage environment or disappear into oblivion.

Henry Davis and Zelda are a couple with peculiar sexual tastes. In order to have more freedom, they send their daughter Ingrid to study in a school away from home. They have a relationship with Ursula but, after some time, when they get tired of her, they involve Christian and his wife Clarissa in their erotic games. When Ingrid comes to spend some time home, her presence becomes the catalyst of profound transformations.

Originally shot in the summer of ’79 and released in May ’80 under the title of “La Strega nuda (The Naked Witch),” it tells of a young man (Danilo Micheli) who is tempted to a weird house by an ugly witch (Anna Massarelli) where he encounters a group of surreal characters in surreal circumstances. More a film of images and sensations than a cohesive storyline – including arresting shots such as the witch mutating from ugly to beautiful while circling Micheli, and the lead character foreseeing his own funeral escorted by bikers

A diamond heist with colorful characters and crisp cinematography, the humor is best described as unsophisticated Terence Hill and Bud Spencer larks complemented by crude animation, a bright and jazzy score by Cavallone regular composer Franco Potenza and a bevy of stunning women: Maria Pia Luzi, Beryl Cunningham, Magda Konopka and Claudie Lange.

A violent examination of male homosexuality in a time when it was considered taboo, where Ivano Staccioli and his lover engage in a self-destructive relationship against the background of Africa.

The inspiration, as the title tells, was Les Chants de Maldoror (The Songs of Maldoror). Cavallone followed only loosely the poem, interpolating some of its most outrageous content within the story of a film director, Paolo (Gianni Garko) who’s undergoing a deep personal crisis. The first part (which producer Giuseppe Tortorella labelled "mythological porn") is set in Italy, as Marco is working on a film called Maldoror, and focuses on his tormented relationship with a married woman, Monica (Jane Avril). According to the script, it was filled with excessive and cruel images, extracts from the film-within-a-film which were liberally spliced within the plot, and in their uneasiness somehow predated Pasolini’s Salò.

Inspired by the writings of writer Fritz Fanon, who believed that a colonial population could only reach freedom by declaring violence towards their occupiers, Cavallone’s tale sees a white photographer (Erna Schurer) who seduces a black model (the lovely ebony Beryl Cunningham). A doctor then arrives on the scene – Anthony Vernon (Antonio Casale) who took his pseudonym from Jesus Franco stalwart Howard Vernon – and Schurer falls for his charms.