Fylfot Swordplay

Masanao Ushio and other detectives from Shinjuku West PD discover the strangled dead body of a woman in an empty building in West Shinjuku in Tokyo. According to her husband Takeshi, the murdered Chieko Akiba was a top salesperson at the insurance company where she worked, but quit her job three months ago and planned to open a beauty salon after buying the building which happens to be the crime scene. The call history on her mobile phone reveals the victim answered a call at 8:16 PM and is presumed to have been murdered immediately afterwards. However, Ushio is surprised to hear who was on the other side of the call: Kyoko Yamano, a woman who accompanied Ushio under an umbrella on a rainy night one year ago and whose husband was killed by someone that very night...

A fugitive christian "saint" (female, of course!) and a sadistic drug-addled princess both have their eye on Kyoshiro. The fact that a bunch of ruthless smugglers also want him dead is the least of his problems!

Thirsting for revenge, Jokichi rashly attempts to assassinate the evil Chogoro but ends up being captured by Yakuza. His life is spared by Boss Juzaburo, in order that the harmony of an important commemoration not be further disturbed. Though now even more of an outcast, Jokichi is asked by another Yakuza boss, Umezo, to guard Oyuki, the wayward daughter of Juzaburo. The tragic consequences of this assignment will lead him into a deadly trap and a final confrontation with Chogoro.

In feudal Japan, women are vulnerable, in need of protection, and capable of deception. Jokichi of Mikogami, a drifter, has not yet fully revenged the death of his wife and son. He searches for Kunisada Chuji, who in turn has hired the knife-throwing Windmill Kobunji to kill him. Kobunji and Jokichi meet in the winter, near Sasago Pass, when both have rescued women: Jokichi has saved the lute-playing Oyae whose clan and whose lover want her dead; Kobunji has rescued Oharu, a well-born woman married to an innkeeper. Is this rescue a whim or something deeper? And why does Jokichi become the consumptive Kobunji's protector? What ultimately will Jokichi do about Oyae?

One of Japan's most popular stories is the tale of Kutsukake Tokijiro, a traveling gambler who finds that he must take care of the wife and child of a yakuza he had been forced by the code of the gamblers to fight man to man. In a brilliant performance from super-star Ichikawa Raizo, with strong support from two of the greats from Toho, Shimura Takashi (7 Samurai) and Aratama Michiyo (Sword of Doom) the heartfelt story reaches new heights. Tokijiro, having learned the true nature of the boss to whom he was obligated for having spent a night and eaten at the gang's headquarters takes up arms against them in a running battle fought across the back roads of the entire nation. Another powerful rendition of this superb story, it is not to be missed!

Just when you think Kyoshiro's life can't get any stranger, someone starts running around raping and murdering, and leaving notes proudly proclaiming that he did it. Tracking down the real culprit willtake him along a twisted trail that involves the Shogun's harem, hidden christians, and positively pregnant politics!

Soft-Boiled Goro is a 1970 film directed by Kazuo Ikehiro

One of the nuns at Senjuan is Sister Shunko (Michiyo Yasuda). Unlike the usual nun, however, she often goes out to see the world, being of the opinion that nuns should not lead cloistered lives but should see something of modern life. She makes the acquaintance of a young girl named lkuko (Kayo Mikimoto) and saves her from the advances of a gangster named Goro (lchiro Nakatani). In the meantime she turns down several propositions and, in revenge, one of her admirers denounces her to the Mother Superior (Kuniko Miyake). This lady is of liberal views, however, and refuses to do anything about it. Then Shunko is visited by Goro's gang boss who wants lkuko back and says he will blackmail Shunko unless she agrees.

Can a sinful man change and find peace? It's unlikely in gang-plagued Japan. Jokichi of Mikogami, a drifter (and hired sword), goes straight after protecting a woman in distress: they marry, have a son, and Jokichi pursues his father's craft. After three years, the gangs he embarrassed when he saved his wife find the family and leave Jokichi in grief, vowing revenge. To parry his terrible swift sword, rival gangs join forces, hiring a prostitute to pose as a woman needing help and breaking the code of honor to double cross the drifter. He finds unlikely allies: a thief who aids him for fun and a one-eyed swordsman who may be Jokichi's equal in skill and honor.