Girl’s Pleasure: Man Hunting

Roman Porno from 1978. Director Toshiya Fujita and screenwriter Kaneto Shindo adapted Pierre Choderlos de Laclos' 18th-century epistolary novel 'Les Liaisons dangereuses' to a contemporary setting. An abominable and burning jealousy and an evil relationship between a man and a woman unfold in the nature of a game. Eventually, jealousy's ripples deeply hurt the true love of a chaste married woman.

Tane, a female clerk of a rubber company in a corner of an industrial area facing Tokyo Bay is a quirky woman, also living on the second floor of the company warehouse.

Yuichi prides himself on the fact that he is a family man but contrary to his conception of an ideal family life, at age 24, his wife has already run out on him. In utter confusion, he tries to reason out where he had gone amiss that such a thing should happen out of the clear blue sky. About this time, Yuichi helps Ayako, a young girl, embroiled in trouble. She returns Yuichi's kindness by making off with his precious camera. Then she returns and since his wife has washed her hands of him, he forces himself on Ayako who acts as if she had been waiting for him to enter her. Suddenly, Yuichi's wife returns...

A college student has an affair with a married, middle-aged teacher.

Kei and Atsuo were both enrolled in summer school. Kei was an honor student, and Atsuo was the polar opposite - but opposites attract. After school, the two head to the beach, where they find another student from their school competing against a local gang member, to see who is able to hold his breath longer under water. Overwhelmed by the excitement, Kei and Atsuo decide to try themselves.

Coming of age film.

In Okinawa, a Japanese-Filipino gangster named Joe kills an Okinawan mobster. Joe temporarily escapes the pursuing mob by fleeing to the Philippines, hoping to find there safety and perhaps to link up with his father. He meets Yoko, a saloon girl, who looks after him, but soon Joe's enemies show up, determined to make Joe pay.

Documentary filmed by young directors in Japan that was shaken by the US-Japan security pact struggles and student disputes. An illusionary image comes back to life for the first time in 34 years.

The film follows a hippie community lead by Yoshitaro. They decide to leave their trailer in Shinjuku and travel to countryside by bicycle to save their friend Furiko who has been falsely accused for murder. The real killer – although it was mainly self defense – is Furiko’s boyfried Takaaki who is being controlled by his politician father. Takaaki would rather live free as a hippie, but his father is forcing him to become a businessman.