Godforsaken!

Comedy inspired by the true story of Dennis P, who became Holland's biggest diamond thief, when he walked away with the entire 20 million euros stock of an international diamond trader, using a microwave oven as a swagbag.

Love is the Word is a moving, romantic and funny coming-of-age drama about the magic of first love and the misery of first lost, set in 1978: the year 'Grease' hit the big screen.

Doodslag (Dutch for "Manslaughter") is the story of Max, a paramedic who is repeatedly hindered in performing his duties by loutish behaviour. As his ambulance hurries towards a complicated childbirth, some youths prevent Max from reaching the distressed woman in labour. Spurred on by the emergency and the incendiary words of a TV pundit, he reaches a boiling point and forcefully hits one of the men obstructing his ambulance. Max's strike has far-reaching, unintended consequences.

Journalist Stella discovers the secrets of the Lotte de Heus Verolmen, the widow of the Dutch nazi-collaborator party NSB-frontman Ewald de Heus Verolmen.

Johan has been locked up - wrongly in his opinion - for the murder of his father and little sister. His mother is the only one who can prove his innocence, but he hasn't been able to contact her for years. When he is transferred within the psychiatric prison to the long-stay department, it's the last straw. He decides to escape and to go looking for his mother.

March 11th, 2002. John R. takes the head of security and 17 others hostage in Amsterdam biggest skyscraper. John R. demands to speak with the Philips head of Sound&Vision. His goal is to warn people about a large-scale fraud, aimed at brainwashing consumers by means of widescreen TV sets. In the film, we find out about John's preliminary frustrations, his bizarre encounter with Philips head of Sound&Vision Gerard Wesselinck, their impossible friendship, rivalry and John's armed attempt to force the executive to do penance in public.

Lockdown is a comic thriller about living in quarantine. The Netherlands is hit hard by the corona crisis. This goes for Theater Group Maastricht as well. If all theaters close their doors on government orders, bankruptcy is imminent. Artistic leader Michel is very concerned. He worries about the future of his company, but also about his own health. He has asthma and belongs to the so-called risk groups. Nor does his hypochondria help. Fortunately, good friend and companion Servé comes up with a solution. What if they play the Oresteia, the play with which they would premiere soon, via the internet? Just from their living rooms? In this way they can still attract a bit of public interest and possibly close the highest financial need pending help from the government.