Also Directed by David MacDougall
Follow Arnav, a six year old Southern Indian boy, as he explores his environment.
An extraordinary personal journey into the experience of being black in a powerful white society. "Link-up Diary" is a film about the consequences of New South Wales long term practice of taking Aboriginal children away from their parents and raising them in "white" environments. In following the reunification, after many years, of several families in Sydney, during one week of 1986, the filmmaker adopts a diary format which does not attempt to disguise awareness of the camera's presence. This awareness becomes part of the film's subject.
This classic ethnographic documentary, by the renowned filmmaking team of David and Judith MacDougall, explores the nomadic life of the Jie of Uganda. During the dry season the Jie leave their homesteads in large numbers and take their cattle to temporary camps (nawi) in western Karamoja District, where water and grass are more abundant.
Gordon Smith, head of the Collum Collum Aboriginal Co-operative which operates a cattle station in northern New South Wales, and Sunny Bancroft, the station manager, are negotiating with the Aboriginal Development Corporation in Canberra for a loan. Finance is needed to stock the property with breeding cattle so that the station can become financially independent.
Constructed as a series of vignettes of station life, the film focuses particularly on the relationship between Sunny Bancroft, the station manager, and a 16-year-old trainee, Shane Gordon. The episodes are linked by Sunny's reflections on learning the hard way from experience, and from the lessons taught him by his father.
In this fifth and final film in the Doon School quintet, MacDougall focuses on the life of one student whom he discovers at the school. The film was made in parallel with 'The New Boys' and intersects with it at several points. However, instead of looking at the group, it explores the thoughts and feelings of Abhishek, a 12-year-old from Nepal, during his first days and weeks as a Doon student. This is at once the story of the encounter between a filmmaker and his subject and a glimpse of the mind of a child at “the age of reason”. This is the most intimate and interactive film of the series.
Renowned ethnographic filmmakers David and Judith MacDougall explore the many meanings of photography in this profound and penetrating documentary. The film focuses on the photographers of Mussoorie, a hill station in the Himalayan foothills of northern India whose fame has attracted tourists since the 19th century. Through a rich mixture of scenes that includes the photographers at work, their clients, and both old and new photographs, this extraordinary film examines photography as art and as social artifact — a medium of reality, fantasy, memory, and desire.
This documentary focuses on the vanishing lifestyle of a family of rural residents of the island of Sardinia. For many generations, they have been goatherds in the mountains, and it was a respected and acceptable occupation. Now tourism and the lure of other occupations deeply affects the younger generation, and soon there may be no goatherds left.
In this, the second film in renowned ethnographic filmmakers David and Judith MacDougall's classic Turkana Conversations Trilogy, one of Lorang's daughters, Akai, is going to marry one of his friends and age-mates, Kongu. Because of the close ties between the two men everything should go smoothly, but the pressures within the two families are such that the wedding negotiations over the bridewealth become increasingly tense. Arranging the number and type of animals to be given as bridewealth demands an intricate balance between psychology and economics: Kongu must offer enough animals to please Lorang and his relatives, but not so many that he appears weak or foolish, or depletes his own family's herds. Negotiations drag on for several days, then threaten to break down altogether. The outcome depends not only on traditional patterns of behavior, but also on the influence exerted by Lorang's wives and the manner in which Lorang chooses to resolve the dilemma that confronts him.
The story of an Aboriginal stockman, Sunny Bancroft, and his family at Collum Collum and their growing enthusiasm for "picnic races" on bush tracks in New South Wales.
