Good Take, Too!

Chow Yi (Gillian Chung) is about to leave on holiday with her boyfriend, Yang Pai Shu (Lawrence Chou) until an argument makes Chow Yi to dump him at the airport. Their breakup is being witnessed by her ex-boyfriend, Chan Kwan Ping (William Chan), who has just returned from overseas trip. Waiting for his arrival is his current girlfriend, Dai Pui Si (Michelle Wai). Kwan Ping then offers his lift to bring Chow Yi back to the city. Upon knowing Chow Yi is homeless, jobless and friendless, he let her to stay in his place for two days, making Pui Si jealous. Can the ex-lovers reunite once again?

When an accident temporarily robs her of her voice, Diva J flees to a small deserted village to heal both her mental and physical wounds. Her life changes when she meets and falls in love with the blind Hu Ming, who inspires her to make a comeback. But, in her absence, a new diva has risen. R has become an overnight sensation that everyone sees as the main contender for J's crown. Yet, their successes have come at a high price. J is secretly pining for a forbidden love that seems destined to wither, and R has found that the road to stardom is littered with estranged friends and painful break-ups. But in the midst of this, both divas rise to find their own voice.

Four Hong Kong directors portray Hong Kong through their own experiences.

Heiward Mak’s Graduation Short Film, which won the 12th IFVA Gold Prize.

The Hong Kong chapter of Eric Tsang's "Growing-up Trilogy" bears testimony to the saying: "The kindness of the gods is manifested in allowing young people to embark on life unprepared." Heiward Mak, the 23-year-old director whom people in the inner circle repute to be the next shining star of Hong Kong cinema, crafts a string of vignettes about seven young people about to sit for a major public exam. Clever, humorous, angry and dangerous, this is the Cruel Stories of Youth for the Me Generation of this century of globalization and mediocrity

“Ambivalence means… nothing has happened, but you remember everything.” Another coming-of-age story about youngsters who are always desperate for but also afraid of falling in love, director Heiward Mak (High Noon, Ex, Diva) continues to examine the ambivalence of youthful love like an autopsy in this episodic adventure among a group of twenty-something. These characters might be a bunch of losers in love who are searching for self-esteem and recognition, but what make these intertwining tales relevant today are not just the pain and longing, but also the bittersweet memories and emotional growth of Hong Kong’s post-90s generation. - See more at: http://cinefan.com.hk/cms/film/uncertain-relationships-society/#sthash.8oTdpsA4.dpuf

After her father died, a Hong Kong girl discovers she has two hitherto unknown sisters, one in Taiwan and one in China. To settle her father's debt, she must reunite with them to run the family's hot pot restaurant.

The story of two women, two generations apart, who coincidentally return to Hong Kong from San Francisco where they had their first, fleeting encounter on the streets as strangers.

Master Law awakes from a 30-year coma without memories, but his martial arts skills are intact. His renowned kung fu academy is now a teahouse, and greedy developers are trying to steamroll it to make way for condos