Gotta Dance

If Carol Channing didn't exist, no one could have made her up. One in a billion, Carol , at 89, remains an unstoppable, megawatt dynamo. Broadway diva extraordinaire is just the icing. Carol Channing hovered at the pinnacle of the entertainment world from the late-1950's through the 1960's and beyond, living life sensationally large. As Carol has observed, '...if you're lucky enough to have two hit shows, the world passes through your dressing room'. At 89, she remains irrepressible.

When Marvin Hamlisch passed away in August 2012 the worlds of music, theatre and cinema lost a talent the likes of which we may never see again. Seemingly destined for greatness, Hamlisch was accepted into New York’s Juilliard School as a 6-year-old musical prodigy and rapidly developed into a phenomenon. With instantly classic hits ‘The Way We Were’ and ‘Nobody Does It Better’ and scores for Hollywood films such as The Swimmer, The Sting and Sophie’s Choice and the Broadway juggernaut A Chorus Line; Hamlisch became the go-to composer for film and Broadway producers and a prominent presence on the international Concert Hall circuit. His streak was staggering, vast, unprecedented and glorious, by the age of 31 Hamlisch had won 4 Grammys, an Emmy, 3 Oscars, a Tony and a Pulitzer prize: success that burned so bright, it proved impossible to match.

The Show Must Go On, a new documentary about efforts to bring the world tour of The Phantom of the Opera and the South Korean tour of Cats to their respective opening nights in the wake of COVID-19, is now in post-production. Shot in South Korea, the United States and the United Kingdom, the film features Andrew Lloyd Webber as well as the touring companies. The doc is directed by Emmy winner and Broadway producer Dori Berinstein and her daughter Sammi Cannold, who helmed Lloyd Webber's Evita at City Center in 2019.

ShowBusiness: The Road to Broadway is an American documentary film, directed by Dori Berinstein, a Broadway Producer, Writer and Filmmaker. Berinstein filmed each principal musical on Broadway for her project during the 2003-2004 season, for about 600 hours of initial film footage. She focused the film on four musicals, through the difficulties of pre-production, their openings, attendant publicity around the shows, and their reviews, through the 2004 Tony Award competition. The four musicals documented for the film were: Wicked, Taboo, Caroline or Change, Avenue Q.