Három csillag

In May 1919 in a small rural town beside Salgótarján the local high society wants to get the power back with the leadership of dr. Máriáss, exploiting the outside attack launched against the Republic of Councils.

Csutak is just a pain in the neck, the little boy is even excluded from play by his mates. Vacation is spent lonely until one day he sneaks the woman haulier's old, shabby horse, a creature that would be better off in a slaughterhouse, out with himself. Possessing the animal is the key to the children's gang. They all try to find a place for the horse.

Imre, secretary of the illegal communist party arrives in Budapest secretly in 1942, in order to start the newspaper of the party in the fight against war. Not even his own mother can see him.

On the novel by Mór Jókai. The first half of the XVIII century. Several decades of life of a noble family Karpati.

On the novel by Mór Jókai. The first half of the XVIII century. Several decades of life of a noble family Karpati.

Venice Film Festival 1954

Private inspector Hável happens to travel on the train which is attacked at Biatorbágy. His attention is drawn to a suspicious man, and in the next few days he confirms that it was indeed him who committed the crime. Yet the police accuses not the lunatic Marschalkó but the communists. Summary justice is declared.

Based on the novel of Mór Jókai. During the Hungarian independence war 1848-49 mother and her three sons trying to leave the road precisely designated by their conservative, stone-hearted father. The way-seeking and rivalry of brothers, Jókai's masterpiece, the cast, delightful scenes give an unforgettable experience.

Anthology film made as an act of protest against Hungarian government of Viktor Orban.

The second film in Miklós Jancsó's documentary series Message of Stones.

The Third film in Miklós Jancsó's documentary series Message of Stones.

In the Kerepesi Street cemetery, three grave diggers contemplate the fate of the world, then they step out of this role and in a sequence of episodes they play the typical figures of contemporary Hungarian reality, the fat cat, the swashbuckler, the victim, underworld chieftains, and present little absurd dramas of love, marriage, friendship, public order and legal safety. The author and the film director walk among them all the time, contemplating, laughing at their plays. The stories starting from the graveyard and returning there warn of the inevitability of death. The author and the director (Gyula Hernádi and Miklós Jancsó) wisely make friends with death.

In the final days of World War II, a young Hungarian is making his way home, through countryside full of the debris of war, when he is captures and imprisoned by Russians. Left in the custody of a young Russian soldier, the two youths form a friendship in spite of not speaking each other's language.

Set in a detention camp in Hungary in 1869 at a time of guerilla campaigns against the ruling Austrians.

Two rabbis show the ruins of an abandoned synagogue to a group of primary school-age Jewish children, and stand by as the children dip bread in honey, drink wine, pray, and sing.

Zoltai is a Hungarian professor who returns home after a visit to the United States. Following a television interview, he commits suicide and leaves a note for his longtime friend Dr. Bardocz. The doctor and Zoltai's colleague Komindi join the police in investigating what drove the man to suicide.

A celebration of the culture and the ancient traditions in Badacsony.

The movie, based on a story by Yuri Nagibin, depicts a young girl Vika enjoying the last days of summer vacations in a sea resort somewhere in the south.