Hanezu

Toru revisits the astronomical observatory in his old school for the first time in 15 years. He finds a notebook in the room that remained unchanged and frozen in time. "Thanks for watching me." It was a message from Shinya, a member of the school dance club, who he had feelings for.

Hong Sang-Soo’s Lost in the Mountains (South Korea, 32min) the visitor is the supremely self-centred Mi-Sook, who drives to Jeonju on impulse to see her classmate Jin-Young – only to discover that her friend is having an affair with their married professor, who Mi-Sook once dated herself. The level of social embarrassment goes off the scale. In Naomi Kawase’s Koma (Japan, 34min), Kang Jun-Il travels to a village in rural Japan to honour his grandfather’s dying wish by returning a Buddhist scroll to its ancestral home. Amid ancient superstitions, a new relationship forms. And in Lav Diaz’ Butterflies Have No Memories (Philippines, 42min) ‘homecoming queen’ Carol returns to the economically depressed former mining town she came from – and becomes the target of an absurd kidnapping plot hatched by resentful locals. Serving as his own writer, cameraman and editor, Diaz casts the film entirely from members of his crew and delivers a well-seasoned mix of social realism and fantasy. —bfi

Depicts the life of a family in a remote Japanese timber village. Family head Tahara Kozo lives with his mother Sachiko, wife Yasuyo, nephew Eisuke and young daughter Michiru. Economic recession and failed development plans cause tragedy in the family.

In the film Koma, Kawase explores the relationship between fragile and often tense history between Korea and Japan through the relationship that develops between a third generation Korean-Japanese man, who unexpectedly visits the small and quiet village of Koma, and a Japanese woman, a somewhat mysterious inhabitant of the village.

Naomi Kawase observes people in the city of Shibuya with curiosity and openness, drawing parallels between life and filmmaking and discovering her abilities as a filmmaker.

Kazuo Nishii, renowned editor and photography critic, died in 2001 of stomach cancer. Two months earlier he contacted Naomi Kawase, whose works he admired, to document the remaining weeks of his life. Kawase visits him in the hospital and films the progression of his sickness and the conversations between the two.

In the follow-up to Embracing (1992), Naomi Kawase learns of her father's death and struggles with her loneliness and the feeling of having been abandoned by her parents.

Naomi Kawase returns to the mountains of her feature film Suzaku and portraits the people that inspired the movie.

After a long and unsuccessful struggle to get pregnant, convinced by the discourse of an adoption association, Satoko and her husband decide to adopt a baby boy. A few years later, their parenthood is shaken by a threatening unknown girl, Hikari, who pretends to be the child's biological mother. Satoko decides to confront Hikari directly.

From a vast record of 750 days, 5000 hours, Official Film of the Olympic Games Tokyo 2020 SIDE A and SIDE B are the official documentaries by Naomi Kawase capturing not only the athletes gathered from all over the world, but also their families, people involved in the Games, volunteers, medical personnel, and protesters shouting for the cancellation of the Olympics.