Hansel & Gretel - The Met
The Metropolitan Opera's performance of "Hansel and Gretel" features music by Engelbert Humperdinck and is conducted by Thomas Fulton. The Met's storybook production cheerfully evokes a magic world of woodland sprites and candy dreams and yet brings as well the entire apparatus of Wagnerian music and drama to bear on a German fairy tale. This production is sung in English, and features the Metropolitan Opera, Chorus, and Ballet.
Casts & Crew
Judith Blegen
Frederica von Stade
Jean Kraft
Michael Devlin
Diane Kesling
Betsy Norden
Rosalind Elias
Thomas Fulton
Also Directed by Kirk Browning
Broadway and concert star Audra McDonald rings in the new year with a program of cherished song standards by Duke Ellington, George Gershwin, Harold Arlen, and others, backed by members of the New York Philharmonic conducted by Ted Sperling.
An aging salesman is fired from his job after a long career in it. Broken, without much to look forward to, he tries reconnecting with his wife and kids who he had always put down as he dedicated himself to work.
Plácido Domingo accomplishes the rare feat of singing both leads on the same night at the Met in 1978 on opera's most popular double-bill.
All the throbbing eroticism—and ultimate heartbreak—of Puccini’s youthful score is unleashed by James Levine and his top-flight cast. Plácido Domingo is Des Grieux, the handsome, headstrong young aristocrat who falls head over heels for the enticing, impetuous Manon Lescaut (Renata Scotto). Manon returns his love, but her obsession with luxury ruins them both. Gian Carlo Menotti’s opulent production, with sets and costumes by Desmond Heeley, superbly captures the colorful world of 18th century France.
Dramatist Luigi Pirandello's mordant comedy of manners tells the tale of upper-crust Italians Silia Gala and her sneering spouse, Leone, who finds his impassivity tested when he has to duel his wife's frustrated paramour.
Live performance Met 1981.
This telecast offers a rare opportunity to see the legendary Joan Sutherland in the role that first catapulted her to international stardom. She drove audiences wild by the way her opulent voice caressed the music’s long phrases and sprinted effortlessly through the fiendish runs, trills, embellishments and stratospheric high notes. One of the glories of the operatic world, her portrayal of Donizetti’s hapless heroine is a multifaceted and moving characterization. The incomparable tenor Alfredo Kraus is Edgardo, the man Lucia loves but cannot have. (Performance taped November 13, 1982. Broadcasted September 28, 1983.)
A true story about one US and one USSR delegate who, during 1982 talks in Geneva between USA and USSR on limiting medium-range nukes in Europe, met by accident in a nearby forest while on a stroll and informally started a key discussion.
This classic American play, performed on an almost-bare stage, is about the mundane but rather pleasant lives of the Gibbs family, the Webb family, and their neighbors in Grover's Corners, New Hampshire, early in the 20th century.
In celebration of its 100th anniversary in 1983, the Metropolitan Opera hosts a four-hour performance uniting some of the world's most spellbinding opera singers and conductors. The event includes a ballet from Samson et Dalila and boasts incredible classical performances from Kathleen Battle, Plácido Domingo, Jose Carerras, Leonard Bernstein, Marilyn Horne, Leona Mitchell, Luciano Pavarotti and many more.
Also Directed by Bruce Donnelly
South Africa's first and only all-female, anti-poaching unit, fighting to rescue their country's rhinos from the edge of extinction.
This documentary feature looks at the work and lives of twelve contemporary Cuban artists, living in Havana today. Through in-depth interviews, the film covers a diverse range of subjects and issues, from supply shortages and constant blackouts ('apagones') to family life, love, sex and music. Visiting each person in their home and studio, the film explores the varying styles, techniques, themes, philosophies and ideas present in their work. Through this is revealed the many obstacles and difficulties that are faced on a daily basis and the feelings each person has towards the place they call home.
This was one of the most emotional evenings in Met history—the night Leontyne Price bid farewell to opera. Aida is the role that inspired audiences around the world to acclaim her as the greatest Verdi soprano of her time. And this telecast shows why: the famous soaring phrases that seemed to never end, the shimmering top to her lustrous voice, undimmed by the years. But most of all, there is the ennobling heart and soul Price lavished on every performance—captured here forever. With James Levine conducting the Met orchestra, chorus, and ballet.