Harvest: 3,000 Years

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.

The story of Dorothy and her husband T.C. He is a discharged Vietnam veteran who thought he would return home to a "hero's welcome." Instead he is falsely arrested and imprisoned for a crime he didn't commit. Her life revolves around the welfare office and a community facing poverty and unemployment. As a result of the film's events, both the main characters become radicalized and Dorothy eventually turns to violence.

A film about the Maroons—freed or escaped slaves that created their own communities during slavery. Both stories are examples of Gerima’s driving motivation—sankofa, reclaiming the past in order to move forward.

An African-American model on a film shoot in Ghana is transported into the body of a slave on a Southern plantation.

Haile Gerima and Ryszard Kapuscinski travel around Ethiopia talking to people about their current situations and what needs to be done for a prosperous country.

The Ethiopian intellectual Anberber returns to his native country during the repressive totalitarian regime of Haile Mariam Mengistu and the recognition of his own displacement and powerlessness at the dissolution of his people's humanity and social values. After several years spent studying medicine in Germany, he finds the country of his youth replaced by turmoil. His dream of using his craft to improve the health of Ethiopians is squashed by a military junta that uses scientists for its own political ends. Seeking the comfort of his countryside home, Anberber finds no refuge from violence. The solace that the memories of his youth provide is quickly replaced by the competing forces of military and rebelling factions. Anberber needs to decide whether he wants to bear the strain or piece together a life from the fragments that lie around him.

A documentary on the Wilmington 10, 9 afro-Americans and 1 white woman who were unjustly imprisoned.

In the midst of the Black consciousness movement, a basketball player imagines his profession to that of a gladiator. After a series of reflections including his upbringing as a foster child of White Americans, he returns to his origins.

Ashes and Embers is an original screenplay by Haile Gerima, about a Vietnam veteran, who, several years after the war, is struggling to come to terms with his role in the war, and his role as a Black person in America. He survives by working odd jobs in Washington, D.C. and living with his girlfriend and her son. When criticism of his alienated behavior come from her and a father figure too often, he runs to the streets or to his grandmother's rural house in Virginia. Her criticism and his memories of the past both send him fleeing again to Los Angeles, where he is surrounded by superficial people who have forgotten how to be compassionate human beings. It is here that the advice of his friends and grandmother combine to transform him from an embittered ex-soldier to a strong and confident man.

In 1896, Ethiopia, an African nation, largely armed with spears and knives, defeats a well-equipped and organized Italian military bent on colonization.