How to Fold a Green Screen
Small performance with Jackie Raynal and Marie Losier. Simply set up by Marie in an empty New York gallery, which she packed with props and shooting devices, with the idea to invite friends of her to come and shoot short films together. Good times with Jackie, trying to fold a green screen which in the end was never fold but instead allowed us to create a whole new choregraphy.
Marie Losier
Casts & Crew
Also Directed by Marie Losier
A woman with an oddly hairy belly gives birth to a pair of hands in Marie Losier’s giddily inventive "portrait" of filmmaker Guy Maddin, done as a collaboration between the two iconoclasts. A longtime fan of Maddin, Losier (best known for other inventive portraits of underground film icons like Tony Conrad and George Kuchar) hoped to document him as well; "I hate my voice and face," Maddin replied, and sent her Super-8 footage of his hands instead. Losier interwove the footage into her own distinct tale, shot like a surrealist 1920s silent film. A must for fans of Losier, Maddin and ingenious cinema in general, MANUELLE LABOR was completed for the Berlin Film Festival (where Maddin was the guest of honor). - Jason Sanders A collaboration film by Marie Losier and Guy Maddin. Two sisters, five brothers, a doctor and two nurses and the miraculous birth of a pair of hands, but whose hands?
In 1971, Ingmar Bergman made his only American film, THE TOUCH, starring ensemble regulars Max Von Syndow and Bibi Anderson, along with early 70's everyman Elliott Gould. In 2001, Marie Losier decided to recast herself in Gould’s role, breathing new life into Bergman’s most awkward, ill-conceived and dubious filmic endeavor.
In this dream-portrait, Mike Kuchar floats through his memories as the sea, space and sky drift past. Wrapped in odd costumes, he frolics with the imaginary creatures surrounding him, and recalls the creatures of his own imagination.
Cet Air là is a famous french song from 1963, sung live by NY singer April March in acapella with Julien Gasc. The couple is singing while flying over a superimposed 16mm projection of a stop motion animation of a series of clouds, birds, bubbles, smoke machines and glitter, the song has the texture of a dream.
A giant pot is ascending from the sky. Twenty winsome damsels are landing on planet earth, coming out of the pot filled with two-hundred and eighty pounds of spaghetti. A battle for sauce and survival ensues.
Louis II de Barrière has been petrified in the ice since the dawn of time. We find him in a forest, luckily he is alive ! Three witch sisters try to defrost it and unravel its musical mystery. We are propelled with them in a colorful and surreal fairy tale.
While in NYC, home sweet home, Felix Kubin came to visit as we were still working on the feature film FElix in Wonderland, and we were asked to do a performance together at PS1. So Felix wrote a new song and I proposed to do a 2h live film shoot and the audience would watch us make a film. So I gathered my family of friends from NY and we did a sort of 16mm filmed happening that I directed live. The result is DOWNLOAD YOURSELF!
This intimate portrait will reveal uncommon stories of groundbreaking visual artist and pioneer of minimalist electronic rock, Alan Vega, vocalist and composer for 1970s and 80s punk/post punk duo Suicide. Alan plays with the camera and enjoys the friendship of filmmaker Losier, while also loving, fighting and living with his family (Liz Lamere, his wife and collaborator, and their son Dante, young replica of Alan). Traces of joy, eccentricity, illumination but also deep fatigue and slow Suicide. The rock-n-roll Alan is still very alive, funny and rebellious.
The story of "Joan of Arc" is one of the most frequently told tales in cinema's hundred plus year history. This brand new version is a post-mortem/post- modern collaboration between the Great Dane Carl Dreyer and Marie Losier, who inserts herself into the 1928 film as God's greatest lover and France's most cherished martyr. A funny tragedy.