How to Stuff a Wild Bikini

Rejected by her lover, the only man left in Cheryl's life is the orphaned nephew she has raised as her own son. She'll stop at nothing to keep Billy with her. When her plans misfire, she is swept up into an insane frenzy that means death to anyone who comes between her and her obsession. But the investigating detective is convinced that Billy is the real killer - and determined to prove it. Madness and fanaticism work together to drag all concerned into a terrifying vortex of blood-letting that adds a nightmarish twist to the classic Oedipus story.

A millionaire sets out to prove his theory that his pet chimpanzee is as intelligent as the teenagers who hang out on the local beach, where he is intending to build a retirement home.

Fibber McGee and Molly was the finest husband and wife comedy team. It ran on the radio from 1935 to 1959, then switched to television in 1959.

The concept of the series was the showing of unaired and unsold television pilots that did not make the television lineup for CBS. The show was successful during its first few seasons due to the fact that the show's concept, airing unsold and unaired television pilots, was a popular concept in the 1960s. But during its last two seasons on the air, the series did find some trouble due to the fact that the series were running out of pilots to air and, in their 4th season, they began airing repeats from the three seasons prior. During its 1966 summer run, the series aired eights new pilots and two repeats and during its last year airing five new pilots and four repeats.

Four Star Playhouse is an American television anthology series that ran from 1952 to 1956, sponsored in its first bi-weekly season by The Singer Company; Bristol-Myers became an alternate sponsor when it became a weekly series in the fall of 1953. The original premise was that Charles Boyer, Ida Lupino, David Niven, and Dick Powell would take turns starring in episodes. However, several other performers took the lead from time to time, including Ronald Colman and Joan Fontaine. Blake Edwards was among the writers and directors who contributed to the series. Edwards created the recurring character of illegal gambling house operator Willie Dante for Dick Powell to play on this series. The character was later revamped and spun off in his own series starring Howard Duff, then-husband of Lupino. The pilot for Meet McGraw, starring Frank Lovejoy, aired here, as did another episode in which Lovejoy recreated his role of Chicago newspaper reporter Randy Stone, from the radio drama Nightbeat.

Tv movie that reunites most the show's cast members. The Douglases move back to New York. But when Haney tries to get everyone's property so that a developer can build on them, the residents go to New York to get Douglas to help them. But he's a little hesitant.

Stock car racer Dave Owens plays into the hands of whiskey runners by agreeing to drive in a cross-country road race.

Five individuals from five nations, including the USA, USSR, and China, suddenly find themselves on an alien saucer, where an alien gives each a container holding three capsules. The alien explains that no power on earth can open a given container except a mental command from the person to whom it is given, then anyone may take a capsule and, by speaking a latitude and longitude at it, cause instant death to all within a given radius: thus each of the five has been provided with the power of life and death. Then, they are given 27 days to decide whether to use the capsules, and returned to the places from which each one came...

Jeannie has been a happily married housewife for 15 years to her astronaut husband Tony Nelson and has a teenage son, T.J. When Tony is promoted to Colonel and is about to retire from the NASA space program, Jeannie decides to give him a celebration party in their backyard. However, egged on by his colleagues to retire with a dramatic flair, Tony breaks his promise to Jeannie for one more space flight (aboard the shuttle), this time with a female astronaut, Captain Nelly Hunt.

Joe Mulholland, Head of Production at a Hollywood studio, makes a rather fool-hardy promise to a dying friend. He undertakes to make a major movie using the title - if not the content - of a best-selling sex manual "Love in Sex". Enlisting the help of depressed screenwriter Herb Derman and rather off-centre director Sid Spokane to try and come up with an idea or two, Joe soon wishes he was not one of those people who always try to keep their promises.