I Bring You Frankincense

This bold, stunning exploration of a white mother who undergoes a radical mastectomy and her Black daughter who embarks on a modeling career reveals the profound effects of body image and the strain of racial and sexual identity on their charged, intensely loving bond. At the heart of Onwurah’s brave excursion into her mother’s scorned sexuality is a provocative interweaving of memory and fantasy. The filmmaker plumbs the depths of maternal strength and daughterly devotion in an unforgettable tribute starring her real-life mother, Madge Onwurah.

Spike and his sister Anjela live in the Terrordome, a huge ghetto that all the blacks have been forced to live in. Jodie, Spike's pregnant white girlfriend, ran away from an abusive white boyfriend who, after seeing her with Spike, sets up a trap for her. Spike's 11-year old nephew Hector dies as a result of this trap, and Anjela, finding the body of her son, goes on a police-killing rampage. Her apprehension sets off tension between Spike and his brother-in-law, as a race war broods inside the Terrordome.

Maisie Blue is an enigmatic black widow figure under investigation by detective Margrave for her involvement in the suicides of successful white men. Through the blurred lines of perception and reality, the myth of the black feminine mystique is explored under the guise of a murder mystery. The film explores the fetishisation of black women as a manifestation of white male insecurity.

Shoot the Messenger follows one man's painful journey towards self-discovery. On the way he finds both his own attitudes and the expectations of his community challenged.

A young girl leaves her Nigerian village to attend a ballet school in England. Fascinated by Tchaikovsky's Swan Lake, she dreams of performing as lead ballerina Princess Odette, but the girls in her close-minded ballet school mock her ideas of a 'black swan'.

Inspired by Maya Angelou’s poetry, Onwurah explores fears and fascinations about black women.

Coffee-Colored Children is an autobiographical portrayal of Ngozi's, and her brother's, sad welcome to the world where the color of your skin dictates the amount of respect & love you receive.

A 1995 short film.

Documentary film.