I Want to See How You See

This sensual, slow-motion video installation shows the artist, with her shocking-pink hair, lying naked on the rain-soaked earth.

This video art work features Swiss artist Pipilotti Rist lip-synching to Kevin Coyne's 1973 song 'Jacky and Edna', her image superimposed with fleeting images seen from the window of a moving train.

For her London exhibition, ‘Worry Will Vanish’, Rist has transformed the gallery into a fully immersive, sensory environment. Projected against two walls, ‘Worry Will Vanish Horizon’ (2014) is a journey inside the human body, based on a three-dimensional animation. Rist delights in patterns created by manipulating creases of skin, caressing, pushing and pulling to depict the varied textures of human flesh. These corporeal images periodically overlap with close-up fragments from nature as Rist blurs the boundaries between the self and organic structures. She explores the relationship between internal and external, how individuals are linked to the tissues and blood vessels of other organisms, and in so doing, she suggests relationships with the universe at large.

During the party offered for Halloween at the Nobel Laureate, Murray Gell-Mann in Santa Fe, Michele and Pipilotti enter a back room...

With I'm a Victim of this Song, Rist takes up the concept of the "cover" version, in which one performer does a version of another's song, and gives it her own twist. Starting with music from Chris Isaak's hit single Wicked Game, she adds her own sung and screamed versions of the lyrics, accompanied by effects-manipulated, diaristic video images. The result is an art-world "cover" of a popular artifact, with a woman's voice reinterpreting the male original, and a vivid illustration of the consumer's claim to own and interpret media images.

‘It’s springtime’, a little bird stealing the filaments of my window screen reminded me this morning. ‘The sun in shining, the sky is blue, the trees are blossoming pink flowers and there is a wide world to be explored…what are you doing indoors?’ This 2002 video by artist Pipilotti Rist seems to be proposing a similar criticism in her reframing of concepts of time, season and the human lifespan.

20 short films about human rights.

Pepperminta is an anarchist of the imagination. She lives in a futuristic rainbow villa and according to her own rules. Colors are the young woman's best friends and strawberries are her pets. She knows the most amazing remedies to free people of their fears. Pepperminta's wish is for everyone to see the world in her favorite colors. Werwen, a young plump and shy man yet whose sex appeal Pepperminta finds highly attractive, and the beautiful Edna, who talks to tulips, join her on her passionate mission. These three musketeers of a different kind set out to fight for a more humane world. Wherever the gang appears, everything is turned upside down and people's lives are transformed in the most miraculous and wondrous of ways.

This video work was made while Rist was still an art student at the School of Design in Basel, Switzerland. It was produced in an unlimited edition and is intended to be shown on a domestic-style monitor, although it may also be displayed as a projection with special permission from the artist. The video depicts the artist, an attractive young woman dancing manically around the room while repeatedly singing ‘I’m not the girl who misses much’. The phrase is an adaptation of the first line of the Beatles song ‘Happiness is a Warm Gun'. Referring to her childhood Rist has said, ‘In my village in Switzerland I had a small window on the art world through the mass media; through John Lennon/Yoko Ono I moved from pop music to contemporary art. In return, I will always be grateful to popular culture’ (quoted in ‘I rist, you rist, she rists, he rists, we rist, you rist, they rist, tourist: Hans Ulrich Obrist in Conversation with Pipilotti Rist’, Pipilotti Rist, p.16).