Il Trovatore
Daniel Barenboim conducts the Staatskapelle Berlin in this production of Verdi's opera starring Anna Netrebko and Plácido Domingo. The Count Di Luna believes that his younger brother was murdered years before by a vengeful gypsy but still hopes that he may be alive. When he attempts to court the beautiful Leonora, he is enraged to discover that she has a lover – the troubadour, Manrico. Manrico and the Count duel, and afterwards Manrico reveals to Azucena, the woman he believes to be his mother, that when he had the opportunity to kill the Count he felt something holding him back.
Casts & Crew
Daniel Barenboim
Anna Netrebko
Marina Prudenskaja
Gaston Rivero
Plácido Domingo
Florian Hoffmann
Anna Lapkovskaya
Adrian Sâmpetrean
Also Directed by Philipp Stölzl
In Part Three, entitled "The Last Fight," gangster Santer Jr. attempts to seize an oil well on Indian territory. To prevent this, Winnetou and Old Shatterhand must reconcile the warring Indian tribes so that they can take up the fight against the henchmen of the criminal.
England, 1021. Rob Cole, a boy born in a miserable mining town, swears to become a physician and vanquish disease and death. His harsh path of many years, a quest for knowledge besieged by countless challenges and sacrifices, leads him to the remote Isfahan, in Persia, where he meets Ibn Sina, the greatest healer of his time.
Frank and Paul are best friends forever and raised Frank's daughter Lilli after a tragic car accident. The two men scrape a living by working as barmen and bouncers in a strip club while Lilly has grown into a lively and self-confident teenager. The disaster unfolds when Lilli seduces Paul and gets pregnant.
In the second part of the German remake of the Winnetou films, Winnetou's sister Nscho Tschi is kidnapped by a brutal crook who wants to find a mythical Apache treasure. Old Shatterhead and Winnetou get forced to search for the precious in the silver sea by their evil opponent El Mas Loco.
Despite a very loose interpretation of the famous novels by Karl May, the core of the new three part TV movie concerning the Apache Chief Winnetou (Nik Xhililaj), son of the High Chief Intschu Tschuna (Gojko Mitić) remains true to the spirit of the works. The first part is all about how Winnetou and Old Shatterhand, the German engineer working as a land surveyor for the railway in the American West (Wotan Wilke Möring) meet, their friendship and how they become blood brothers. The second part sees the duo set out to find the Treasure in the Silver Lake. The final part tells the tragic tale of Winnetou's death.
Live performance from Salzburg Festival Opera, August 2007. The story tells of Cellini's love for Teresa, daughter of the Papal Treasurer Balducci. His rival, the Papal Sculptor Fieramosca, overhears Cellini plotting to run away with Teresa during the carnival.
A collection of the band's most famous promos from 1995's 'Vow' to 2007's 'Tell Me Where It Hurts'.
North Face tells the story of two German climbers Toni Kurz and Andreas Hinterstoisser and their attempt to scale the deadly North Face of the Eiger.
The first part, "A New World", tells how the young German engineer Karl May comes to America and starts to work for a railway company in the Wild West. Under dramatic circumstances, he meets Apache chief Winnetou and becomes friends with him and his tribe. The Apaches give it the name Old Shatterhand. Together they fight now against the unscrupulous henchmen of the railway company, who wants to lay a route through the Indian area.
Also Directed by Tiziano Mancini
Two years prior to the opening scene, the nobleman Florestan has exposed or attempted to expose certain crimes of the nobleman Pizarro. In revenge, Pizarro has secretly imprisoned Florestan in the prison over which Pizarro is governor. The jailer of the prison, Rocco, has a daughter, Marzelline, and a servant (or assistant), Jaquino. Florestan's wife, Leonore, came to Rocco's door dressed as a boy seeking employment, and Rocco hired her. On orders, Rocco has been giving Florestan diminishing rations until he is nearly starved to death. Place: A Spanish state prison, a few miles from Seville Time: Late 18th century
In the words of the prestigious German weekly 'Die Zeit,' the stage production of Wagner's 'Rheingold' and 'Walküre' by La Fura dels Baus 'quite possibly shows us the path that musical theater will be taking in the future.' There's no doubt about it: the Catalan city of Valencia is setting new accents in 21st-century opera not only with its spectacular new theater designed by Santiago Calatrava, but also with its visually transfixing production of Wagner's 'Ring' staged by Carlos Padrissa and his theater group La Fura dels Baus.
This recording of "Il Trovatore" was held in Parma in 2010. The production is minimalistic. The scenario reminds, vaguely, the lunar surface. In the background, in several scenes, there is a huge full moon, sometimes white, sometimes red - the effect is beautiful and suitable for the nocturnal atmosphere of this opera. Few objects in the scene, including a big horse and giant candles. The costume indicates, directly, who is who: soldiers, nuns, gypsies. Regarding the musical aspects: excellent participation of choir and orchestra. The conductor is the seasoned Yuri Temirkanov. He keeps the orchestra under control (though there is one or two moments of disagreement with the singers), with some pleasant surprises.
I due Foscari was Verdi's sixth opera and based on Lord Byron's play The Two Foscari. Rich in intrigue, the plot tells of the final days of the famous Venetian doge, Francesco Foscari, and his illegal overthrow in 1457.
The caption on the DVD sleeve reads “This Is how Verdi should be played!” and I could not agree more. The trio of principals: Ribeiro, Lungu, and Dalla Benetta , offer youthful exhuberance and intensity, good looks and glorious voices. The rest of the cast is equally good. Superb conductor, traditional production, great staging. Anf of course, Verdi’s exquisite music. It has renovated my faith in the totality of the Verdi canon, not only its most performed titles.
This work predates Thchaikowsly’s for almost 4 years, and it is base don the Schiller play I have previously criticized for its lack of historical accuracy. It is essentially focused on three major voices, soprano, tenor and baritone, with a basso to spice it up. New Yorker Evan Bowers may not be a matinee idol, but he sails into the role with a bright, focused lyrico spinto tenor voice. Renato Bruson was 72 years old in 2008, when he took this role (first sung by him in1989) and it shows, with quite a wobble on many passages; yet his voice commands the stage and rises majestically in the ensembles. And then, Bulgarian Svetla Vassileva, who is not burned at the stake, as in “Maid”, but dies heroically in battle.
Part of Tutto Verdi series - Attila (2010) Parma. 'Attila' is an opera in a prologue and three acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera, based on the 1809 play 'Attila, König der Hunnen' ('Attila, King of the Huns') by Zacharias Werner. The opera received its first performance at La Fenice in Venice on 17 March 1846.