Image Nation
Imahe Nasyon is a groundbreaking, conceptual omnibus film by 20 alternative filmmakers who were tasked to present their personal visions on national issues. Renowned line producers Jon and Carol Red hatched the idea of revisiting the 1986 EDSA revolution, challenging directors to answer the question "What happened after 1986?" with a short film not longer than five minutes each. Despite individual techniques, the same goal is shared: to depict a truthful image of the nation at present.
Topel Lee
Emmanuel Dela Cruz
Lav Diaz
Robert Quebral
Lyle Sacris
Neil Daza
Raymond Red
Ellen Ramos
Paolo Villaluna
Yeye Calderon
Milo Alto-Paz
Mes de Guzman
Sigfreid Barros-Sanchez
Roxlee
Tad Ermitaño
E.J. Salcedo
Poklong Anading
Dennis Empalmado
R.A. Rivera
Ogi Sugatan
Casts & Crew
Bella Flores
Pen Medina
Janice Jurado
Bodjie Pascua
Soliman Cruz
Bombi Plata
Raul Morit
Elmo Redrico
Rey Ramos
Jun Sabayton
Joaquin Carino
Rein Cortez
R.J. Reynaldo
Camille Ansaldo
Dennis Empalmado
Paolo Villaluna
Leonila Montilla
Yeye Calderon
Malay Javier
Luane Dy
R.J. Reynaldo
Jason Red
Kenjie Villacorte
Karl Mendez
Gary Rada
George Barraca
Also Directed by Topel Lee
Bad fortune and strange events plague newlyweds (Cristine Reyes, Carlo Aquino) who recently inherited a condominium located in a place many consider unlucky.
A group of friends goes to an island for a short film project when they are attacked by a mysterious killer after playing a game of bloody crayons.
Romano and his men are ambushed in one military operation. Romano almost gets killed but wakes up after staying in coma for several days. His life will never be the same again. He resigns from the military and goes into seclusion in their Baguio ancestral house after realizing that he now has a supernatural gift.
This ninth installment in the classic horror series offers up a trio of spine-chillers from the Philippines. In Christmas Tree, a rampaging Christmas tree is out for blood as it terrorizes a family during the holidays; next, in Bangungot, three people in a love triangle find themselves ensnared in a supernatural nightmare. Finally, a teenage Goth band is cursed by a temptress's lethal spell in Engkanto.
Just like the seven previous SR&R franchise, this has three episodes-"13/F," about a children's party held in a forbidden floor; "Yaya" is about a naughty kid who discovers that her new nanny is a vampire; and "LRT" is about a freak accident in which people find themselves trapped in an LRT coach, chased by a monster.
Jess, a bellboy working at The Manila Hotel, is gifted an all-expenses paid stay at the hotel's most expensive suite. And during his stay, he encounters Veronica, a professional golddigger. Jess keeps up the illusion of being a rich guest of the hotel, hoping to get Veronica to fall in love with him before he has to tell her the truth.
After suffering from a vehicular accident, Rosa and her sons transfer to the province. She hopes that the new place will heal the rift between her and her younger son, Rommel. Little does she know that their lives will be at risk when the vengeful ghost of the woman without face threatens them. As she struggles to find a way to end the hauntings, she discovers a truth that will change her life forever.
6 eager contestants enter a pinoy horror-reality show to survive till daybreak of horror inside the famous Laperal White House in Baguio City. A million pesos is at stake but as the first night draws to a close and each one is being found dead, everyone realizes their lives are also on the line. It is up to spirit medium Jet (Gabby Concepcion) to find out what exactly is going on and who is the real enemy among he many ghosts that haunt the place, which includes a powerful Black Lady who abducted the soul of Jet’s only daughter. A chance of a lifeline with no lifelines… who will survive in the end?
A group of young people accidentally get locked in a parking basement, and become the victims of a malevolent supernatural force.
Half-sisters Aileen and Romina, along with first cousins Ruth and Sandra, reunite in Camiguin to bury their grandmother. Accompanied by Sandra's friend, Lucy, the five girls dare to call on the spirits of the dead when they find their old Ouija board from when they were kids. The Ouija board is burned by accident before they are able to finish the ritual, trapping a murderous entity around them. As they begin to realize the terror that they have brought upon themselves, Aileen and Romina's hostile relationship even become more strained, while Lucy's sanity brings a heavy burden on Sandra, and Ruth's boyfriend, Gino, is unknowingly pulled into the danger and horror that await all of them. Confronted by imminent Death, the girls have nowhere to go unless they can identify the spirit and find out where it is buried. It is only by leading the spirit to its burial ground that they will able to release the spirit from the Ouija board and survive its fatal hauntings.
Also Directed by Emmanuel Dela Cruz
A man's friends hire a prostitute on his birthday for him to lose his virginity. But after finding out that she is a middle-aged woman, they decide to ditch her, except for the birthday boy, who likes older women.
A young woman tired of being the rebound girl makes rules for herself to avoid that situation. But she is immediately challenged when she makes a connection with another heartbroken young man.
On the eve of the 2010 Miss Universe pageant, an unwelcomed guest enters into the drama of three gay friends.
Also Directed by Lav Diaz
A man is wrongly jailed for murder while the real killer roams free. The murderer is an intellectual frustrated with his country’s never-ending cycle of betrayal and apathy. The convict is a simple man who finds life in prison more tolerable, when something mysterious and strange starts happening to him.
Erwin Romulo, the late Alexis Tioseco’s best friend, recalls the events after the critic and his girlfriend’s untimely death in their home in Quezon City. Diaz makes use of one long take to allow Romulo an uninterrupted narration of the events. The pain of recalling is palpable.
A wandering peddler separates from his fellow salesman and becomes involved with criminals in the jungle.
A terribly cool, hip youth film that throws awareness to the winds of MTV rock and roll, and post Generation- X teenage wasteland fantasies.
Deliberately structured and less beholden to its narrative, the film is told in three parts, with each part pertaining to each of the three visits of the time-travelling visitor from when the country was fighting for independence from Spain.
Hong Sang-Soo’s Lost in the Mountains (South Korea, 32min) the visitor is the supremely self-centred Mi-Sook, who drives to Jeonju on impulse to see her classmate Jin-Young – only to discover that her friend is having an affair with their married professor, who Mi-Sook once dated herself. The level of social embarrassment goes off the scale. In Naomi Kawase’s Koma (Japan, 34min), Kang Jun-Il travels to a village in rural Japan to honour his grandfather’s dying wish by returning a Buddhist scroll to its ancestral home. Amid ancient superstitions, a new relationship forms. And in Lav Diaz’ Butterflies Have No Memories (Philippines, 42min) ‘homecoming queen’ Carol returns to the economically depressed former mining town she came from – and becomes the target of an absurd kidnapping plot hatched by resentful locals. Serving as his own writer, cameraman and editor, Diaz casts the film entirely from members of his crew and delivers a well-seasoned mix of social realism and fantasy. —bfi
The boy has something to do in his life, he trains himself and makes plans. Then there is a knock on the door and something pulls away and he literally stays in the rain. Lightning and thunder patter the water, devouring everything. Incredulous, the boy looks up to heaven - is this his destiny?
A lowly farmer whose wife is afflicted with a lingering illness gets involved in kidnapping that goes awry and culminates in tragedy. Years later, he turns to a crusading lady journalist to confess the details of the sensational crime that remains unsolved.
After spending the last 30 years in prison, Horacia is immediately released when someone else confessed to the crime. Still overwhelmed by her new freedom, she comes to the painful realization that her aristocratic former lover had set her up. As kidnappings targeting the wealthy begin to proliferate, Horacia sees the opportunity to plot her revenge.
Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.
Also Directed by Robert Quebral
A 'sexperienced' fashion photographer and a broken-hearted fashion model take on a journey of fun and sex going to Sagada. Along the way they pick up an amnesia-hit guy starting a chain of conflicts.
Two girls and a boy of barely legal age are caught having sex on tape. Who are they? Why did they do it? Where are they now? The film draws answers from the urban legends that grew around the controversial sex videos and the result is a humorous narrative with elements of mock documentary. Leo (Ryan Eigenmann) is a 21-year-old co-ed student in a prestigious college. He dreams of making and starring in his own "dirty movie"and becomes obsessed with the idea. Leo eggs his girlfriend Claire (Jennifer Lee) to be part of the video. She hesitates but gives in to the idea soon enough when she finds her most compelling reason in the person of a sexy girl named Miles (Avi Siwa). Generally perceived as a tragic event, the Co-ed Scandal is viewed through the film from multiple perspectives ennobling the idea of beauty-and tragedy-as something that ultimately resides in the eye of the beholder.
Also Directed by Lyle Sacris
Three stories, all first times
Rizette is a lady guard who is hopelessly in love with Eric, one of the tenants in the condominium where she is stationed. For the longest time she has fantasized that he will love her back. But when Eric's life was endangered, Rizette risked hers to save her knight in shining armor. Because of this, things were never the same between Eric and Rizette. But will it be a happy ending for them?
Also Directed by Neil Daza
A fragmentary tale of an 8-years old boy who feels the loss of his father as Martial Law is declared. Through images of macabre and violence we see the world of a child caught in war.
An expressionistic story of a soldier’s lament as he lies on his hospital bed 50 years after the Second World War.
Also Directed by Raymond Red
The title “Kamera Obskura” is a Filipino spelling of the latin “Camera Obscura” which simply means “dark room”. The film’s concept adheres to formalist cinema, where the filmmaker’s thesis is to make a semblance of a vintage film seemingly produced sometime in the late 1920s to early 1930s in the Philippines. The thesis is to conjure up a film from a period that did not really exist in Philippine cinema’s historical cultural heritage as we know it, such as a pseudo-expressionist / experimental Filipino cinema of the silent film era. It is a film within a film. The narrative plays with the idea of a retro-futurist world where a prisoner locked away in a dark chamber for over two decades only sees the reality of the world outside through the small hole in his cell, which projects an image of the city on his wall, the phenomenon of the “camera obscura”.
In Manila, a solitary man from a far-away province lives in poverty. The only thing he has is a camera, and he stays at churches hoping people will hire him to take their photographs. During one day, he has three encounters that change his life: the first, with a smooth-talking young man who's standing by the church door who berates him for wasting his life in church, the second with a boy who offers to take his picture, and the third with a Mercedes-driving man who's been stuck in traffic and has no patience left. Is there any deliverance from the soullessness of the city?
Short film by Raymond Red.
Independent filmmaker Raymond Red's first crossover to full-length feature is a highly visual chronicle of the rise and fall of revolutionary hero Andres Bonifacio. Noted for its heavy stylistics and painstaking attention to filmic detail, the biopic also tackles the momentous events surrounding the Philippine struggle against Spanish colonialism. The historical epic is a most fitting cinematic memorial to the centenary of Philippine independence.
1988 film
Sakay is a 1993 Filipino historical drama film directed by Raymond Red. The film stars Julio Diaz, Tetchie Agbayani, and Leopoldo Salcedo. The film covers the life of Filipino patriot and hero Macario Sakay, who was declared an outlaw and a criminal for continuing hostilities against the United States after the "official" end of the Philippine Insurrection.
A vignette about a sleeper and an insomniac.
Golden Palm winner Raymond Red's masterpiece, about the surreal and at times nightmarish adventures of a young man.
Inspired by a true news account, this is the astounding story of a lone deranged hijacker who has struggled to survive in the chaos of modern Philippine society.
Mga Rebeldeng May Kaso is about the aftermath of the so-called People Power Revolution of 1986, spawning a group of young dreamers bewildered, wonder, and wandering, discovering the fire of youth, the loss of innocence, the journey into the core of one’s being, immersing themselves in a brewing new alternative culture and a little known and lowly regarded revolution of sorts the emergence of a new underground, independent and alternative cinema.
Also Directed by Ellen Ramos
A woman (Mercedes Cabral) shares her story as a prostitute in front of the camera. A survivor, she looks back at her life as a mother. Milagros (Sue Prado) and Elena (Jam Pérez) are sisters tilling “camote” (sweet potato) in a dry land. Poverty provokes Elena to migrate as a mail-order bride in Japan while Milagros stays to take care of the family. Eos (Boots Anson Roa) is a widow who falls in love with a younger man, Rodrigo (Rome Mallari). They try to make the relationship work amidst the pressure of their family and the society.
Set in two contrasting enivronments that undeline the same premise of imprisonment, Selda tells the story of Rommel (Sid Lucero), a young man who accidentally kills a boy, resulting in his incarceration. Inside the jail, he befriends another inmate, Esteban (Emilio), who becomes his rock and protector. Seven years later, Rommel is living in the province as a farmer together with Sita (Ara Mina) his wife. Esteban tracks down Rommel in hopes of renewing a brewing love affair. Rommel and Sita welcome Esteban into their lives, until their intimacy crosses borderlines and results in the undeniable scourge of self-discovery
Set in Philippine post-American colonialist era, where the American influence was still apparent, Ilusyon tells the story of Miguel, a young man from the countryside, who decides to visit his father, Pablo, a Modernist painter in Manila. Upon his arrival, he discovers that his father has decided to leave for the province but he opted to stay in Manila for a vacation. One day, he meets Stella, a nude model originally scheduled to pose for Miguel's father. Struck by her beauty, Miguel does the unthinkable - he pretends to be his father the painter. Developing a relationship based on a lie, things turn for the worse as Stella begets a strange skin disease that turns off Miguel. Surrounded by strange characters - a talking cow, a talkative mailman and a nosy landlady - Miguel is driven into a frenzy realization about beauty, lust, love and being true to oneself. An ambiguous ending underlines the surreal tone of the film.
The plot is about Maria (Lovi Poe), a 16-year old girl who elopes with her boyfriend Ryan (Joem Bascon) to Baguio. While they are in a hotel in Baguio, they meet a terminally ill tourist (Jacky Woo) who is in Baguio beause it is where he met his ex-wife who is a Filipina. Maria develops a strange relationship with the tourist and she is later torn between the love of Ryan and the older stranger she has just met. Meanwhile, Maria’s father (Ricardo Cepeda) hires a private detective named Patrick (Jake Roxas) to look for his daughter. Patrick is a homosexual who is learning to deal with the promiscuity of his lover (Rico Barrera).
Also Directed by Paolo Villaluna
The lives of a genteel mestizo family prosper in the 1960s, fall into financial ruin during Martial Law, see hope in the 1986 revolution, but ultimately come to a tragic end year post-1986.
Set in two contrasting enivronments that undeline the same premise of imprisonment, Selda tells the story of Rommel (Sid Lucero), a young man who accidentally kills a boy, resulting in his incarceration. Inside the jail, he befriends another inmate, Esteban (Emilio), who becomes his rock and protector. Seven years later, Rommel is living in the province as a farmer together with Sita (Ara Mina) his wife. Esteban tracks down Rommel in hopes of renewing a brewing love affair. Rommel and Sita welcome Esteban into their lives, until their intimacy crosses borderlines and results in the undeniable scourge of self-discovery
Paolo’s sex life began at the age of 14 in the men’s room. Since then, his life has been divided into a world of light and shadow. His sexual awakening is also a political manifesto. Only in gay nightclubs can he be free. It’s a world of imaginary lovers, dancers in the dark, who don’t exist in the daytime for society.
Set in Philippine post-American colonialist era, where the American influence was still apparent, Ilusyon tells the story of Miguel, a young man from the countryside, who decides to visit his father, Pablo, a Modernist painter in Manila. Upon his arrival, he discovers that his father has decided to leave for the province but he opted to stay in Manila for a vacation. One day, he meets Stella, a nude model originally scheduled to pose for Miguel's father. Struck by her beauty, Miguel does the unthinkable - he pretends to be his father the painter. Developing a relationship based on a lie, things turn for the worse as Stella begets a strange skin disease that turns off Miguel. Surrounded by strange characters - a talking cow, a talkative mailman and a nosy landlady - Miguel is driven into a frenzy realization about beauty, lust, love and being true to oneself. An ambiguous ending underlines the surreal tone of the film.
Talks about gay rights from the point of view of children. (a coming-of-age story that mirrors what Villaluna believes is the national state of mind)
A tragic-comic portrait of a dysfunctional family and the disquieting blind faith they invoke as they dream of going home.
The plot is about Maria (Lovi Poe), a 16-year old girl who elopes with her boyfriend Ryan (Joem Bascon) to Baguio. While they are in a hotel in Baguio, they meet a terminally ill tourist (Jacky Woo) who is in Baguio beause it is where he met his ex-wife who is a Filipina. Maria develops a strange relationship with the tourist and she is later torn between the love of Ryan and the older stranger she has just met. Meanwhile, Maria’s father (Ricardo Cepeda) hires a private detective named Patrick (Jake Roxas) to look for his daughter. Patrick is a homosexual who is learning to deal with the promiscuity of his lover (Rico Barrera).
Also Directed by Yeye Calderon
Originally a three-part experimental film, respectively titled SPIT, WORDS AND OUTAKES..., and OPTIK, combining animation, illustration, found footage and liquid mercury.
A collage film that finds its meaning from interspersing Lenten rites footage with random images using an optical printer.
Also Directed by Milo Alto-Paz
A retired government employee’s new hobby leads to existential desperation and financial complications.
Also Directed by Mes de Guzman
The film depicts the troubles of Jonas (John Prats) and his sisters Carmina and Tricia (Ria Garcia and Anja Alajar), who have moved to their family’s old farm after Jonas’ real estate business sank. Jonas hires the help of some local men to put up a fence around their property, and while they all seem helpful at first, they become an indelible source of frustration for him and his sisters.
Mabuti accidentally finds a stash of money that could bring an end to her family’s financial problems: is the solution that simple or is it loaded with complications?
A film about two sibling-streetchildren whose daily sustenance depends on selling rags and wiping windshields of passing motorcars on busy thoroughfares. In spite of being constantly exposed to traffic hazards and other hassles, the two managed to survive and maintain their playful spirit.
A story about three children struggling in a depressed neighborhood with their means of survival arriving from the package given to them by their parents who works abroad.
Good fortune does a family more harm than benefit in this independent drama from author and filmmaker Mes de Guzman. Young Vergel left his family to take as job as a miner, and following a long stretch away from home he returns and enjoys a reunion with his younger siblings, a mischievous brother and a sister who is newly aware of matters of the heart. All is well in the household until Vergel makes a startling discovery -- there are gold deposits on the family's farm. Vergel's first concern is the safety and well-being of his family, but as the value of the gold claim rises, his lust for money begins to overpower his common sense and regard for others.
Welcome to the hometown of Yoyong, Poklat, Boying and Uding. Here, there are no big shopping malls, no tall buildings. There are only huge mountains and vast fields as far as the eye can see, and clouds that seem to be always embracing the mountains. Life is simple for the four boys. They are content and very happy if they could eat three meals a day and are able to play. All of them, except for Uding who is an orphan, have left their homes in the mountains because they couldn’t bear the harsh treatment of their parents.
A brother and sister trek over mountains, cross rivers, and walk over a bridge between cliffs to and from school. After school, they take care of pigs and their ill grandfather in bed. At night they dine with their older brother and do homework. Looks like a simple life which has nothing to lose, but it has. When news arrives that the mine is collapsed where their older siblings have been working to support them, the family falls in danger of starvation. The repetition of daily life mixes with dramatic tension which gradually rushes to them.
Carlito is getting married. But he doesn't dare tell his parents. He also takes advantage of the safety of the bartering rural community from which he commutes back and forth to work.
Only the famous family that doesn't weep can help reunite a desperate woman with her own.
Every night, Nana Lusing lies on her bed sleepless because she sees a dark figure looming in her room. Who is this shadow? Is this the devil? Her late husband? A manifestation of her anxieties? Or simply a figment of her imagination?
Also Directed by Sigfreid Barros-Sanchez
An aging guitarist plays by his heart while dancing on broken glass.
It is about a group of investigative journalists from a sub-par TV station who accidentally scores a scoop that a 21-year-old boy is looking around for his identity… he claims to be the son of the late director Lino Brocka, a known gay filmmaker.
Two aging couple who work in the Filipino film industry, a linear editor and an ex-dubber, who, at the twilight of their lives, decide to part ways to know what’s missing in their lives. They both explore things they haven’t explored before as they both undergo a sexual awakening in their lives. The wife finds comfort in a local school janitor whom she sees a slight parallelism to her life. On the other hand, the husband gets enamored on a shy barrio lass whose face elicit the same weakness he has for women chinita eyes.
A political family tries to hold on to their integrity and reputation as they face a difficult crisis.
Loosely based on the kidnapping of a broadcast journalist and her crew, the film shows a 10-year-old Tausug boy used by the Abu Sayyaf group to "charge" the cellphones they use in negotiating for their demands for the release of their captives. Things take a strange turn when the journalist befriends Shihab and earns his trust as Shihab finds himself torn between his loyalty to his Tausug brothers and the bond he has forged with his newfound friend.
"ANG MGA KIDNAPER NI RONNIE LAZARO" is about a group of down and out-of-luck men who decided to make a film starring Ronnie Lazaro, the most sought-after indie actor in the Philippines. Things get complicated when Lazaro decides to beg-off from acting on their supposed "indie film" and the guys were forced to abduct the actor." - Agimat Project
A black comedy film, which focuses on two film workers, Raffy, the clapper, and Dido, a utility boy. Both share the same dream: to direct their own films someday. Their lives as mere "small production people" took a different turn when, together with the people in the unit van they were riding,had an encounter with armed men. Their co-workers were killed, and the two of them were forced to drive the unit van out of fear until it ran out of gas. The van contains equipment for movie production like cameras, lights and film stocks. They ended up in a secluded barrio not yet reached by modern technology, and therefore, the townsfolk knew nothing of the movie industry.
Also Directed by Roxlee
Monlee and Roxlee's Cesar Asar
Like talking to oneself - some words make sense, some are nonsense.
A restless lizard and a man move faster and faster to a punk beat.
Originally a three-part experimental film, respectively titled SPIT, WORDS AND OUTAKES..., and OPTIK, combining animation, illustration, found footage and liquid mercury.
An oil pastel animation which explores different subjects, mostly focusing on the Philippine environment.
Munch's Scream appears sporadically in the streets of Manila.
Throughout the islands of the Philippines, Baybayin still lives!
An experimental film from the Philippines.
Juan shared his food to a man. But the man wants more and steals his food while he was asleep.
Also Directed by Tad Ermitaño
Inspired by the works of physicist Subrahmanyan Chandrasekhar and philosopher Enryo Inoue, this 16mm film documents the experiments of a modern-day scientist who attempts to communicate with Jose P. Rizal, the Philippine National Hero who was executed by the Spanish in 1896.
A documentary on the "xenobiological" essay by one restituto A. Calampangan, Head Analytical Service, Philipine Orbital Research Center in the Year 2125
A man finds answers and more questions as he looks beyond the water's surface.
Also Directed by E.J. Salcedo
Wesley was a Fil-Am and a naturalized citizen when he left Philippines 12 years ago. In America, he aspired to become a painter, revealed that his parents died before he left the country to finish his dreams. Years later, he received a phone call that his loved one died and he was required to visit the wake. There he met his ex-girlfriend, his friends, his aunt and his own older brother will be his guide to give him a shining light and give him the courage to look at the coffin and say his last goodbyes.
Also Directed by Dennis Empalmado
As Angelo and his friends struggle to find self validation through music and art, his growing obsession with Lelay – a young cashier drives him to withdraw from reality.
Meet Duewand Collier Jr.-Male, 68 years old, American Citizen, a child conceived in the backdrop of the Philippines-American Mutual Defense Treaty, born and raised with Catholic guilt. He has made peace with his past and now tells his story-a story of love.
A wounded activist ends up in a toilet and meets two members of the oppressed masses whose only reality is living on toilet fees.
Sampaloc Lake - the most prominent of the seven lakes of San Pablo City has provided shelter, employment and inspiration to its immediate community for countless decades. In return, the natural resource suffered from indiscriminate use of the residents themselves and the consequences of rapid urbanization. Recently, the local government have implemented a clearing of all residential structures within the legal easement of the dying lake to pave the way for a tourism master plan that endeavors to balance revenue and environmental protection. In the eve of the clearing operations, film maker Dennis Empalmado documented the final musings of the residents, advocates, and artists whose lives revolved around the 99 hectare crater lake.
Pandanggo has three stories with parallel themes converging in one event, the Kasilonawan Festival in Obando: a career woman learning to dance tango who is torn between her dance partner and live-in partner has to choose the man who will satisfy her dream of raising a family; a wife whose wish to conceive a baby boy to make her husband happy brings her feet to the festival, but fate has other plans of bringing the child into her life; and a modern woman who, amidst her medical condition that might render her childless for the rest of her life, finds connection with an ancient lore about fertility.
A short experimental film about a fire hydrant, a busy sidewalk nestled between an electrical post and a building.
Pinoi Rock & Rhythm sheds the spotlight on four obscure yet significant figures in contemporary Philippine Popular Culture. Rebel Disc Jockey Dante "Howlin" Dave David, Stills Photographer and former stuntman Mr. Johnny Albia, Elvis Presley devotee Mr. Chito Bertol and Pinoy Rock guitar icon Mr. Jun Lopito. The documentary unfolds lighthearted, candid and sometimes outrageous introspection from the four individuals on the ups and downbeats of their respective careers.
The lives of a matriarch, her two sons, and her niece are never the same again as they come to terms with an indiscretion in the family. A pivotal decision is made and a downward spiral ensues wherein the outcome can be no less than earth-shattering.
Also Directed by R.A. Rivera
In facing apartment units, two men share parallel stories. One, distraught over the death of John Lennon, contemplates on killing himself. The other goes into a fit deciding how to part with his 3-years-old toothbrush.