Immagini Popolari Siciliane Sacri

Explores the complex relationship between the spirit, body, and mind. The film is a nightmare with closed eyes because it counts among the most terrible moments of my life, my second exile, which lasted a very long time. Inspired by an ancient Hindu legend.

Tells the story of a poor family, inhabitants of the southern province of Santa Fe, who is forced to move into an abandoned railroad until waters recede Salado river wagon.

As one may gather from the title, this short falls in the lineage of city symphonies common in Europe throughout the 1920s, albeit with a significantly different focus within a markedly divergent context. Defiantly resisting glamorization, the Buenos Aires in Birri’s film belongs to the early risers, drunks, vagrants, lovers, street animals and workers, indispensable in their role of making the city move and look the beautiful way that it does.

Equal parts philosophical treatise and artist’s portrait, this short follows the thoughts and methods of Argentine artist Juan Carlos Castagnino, whose commitment to utopian thinking and radicalism mirror Birri’s own. “Living up to date is living one day in advance”, says the painter, as Birri will go on to pair Castagnino with both the Beatles and Argentine folk songs, cluing one in to his notion of keeping ties to the cultural and the radical present. - Spectacle Theater

“My life was the same as that of thousands of gringos: I plowed and sowed the land, and went to the bar on Sunday.” Such is the refrain throughout LA PAMPA GRINGA, which endeavors to relate the sense of community built by the European settlers who in 1865 first colonized the town of Esperanza, located in Birri’s native province of Santa Fe. Largely consisting of juxtaposed daguerreotypes from the period and newspaper printings, LA PAMPA GRINGA exhibits Birri’s ability to weave narratives out of historical documentation in deft, admirable form.

Feature film.

SELINUNTE marks Birri’s first cinematic effort, made during his years studying at the Centro Sperimentale di Cinematografia di Roma.

What does Che Guevara"s mythic presence represent to people at the turn of the century, and how do people define their concept of utopia?

Short documentary drawing parallels between the Sicilian people and their history of profane visual representation.