Also Directed by Bruno Delgado Ramo
A film about the black head Carranza sheep and the ways of subsistence cattle related to them in Karrantza Valley (Bizkaia, Spain). A series of seven in-camera edited Super-8 reels explores the link between grass, sheep, feeding, wool, milking, cheese, threads. It is a project that began with the recalling of first moving pictures of sheep (MOUTONS ENTRANT À L’ABATTOIR, Lumière Brothers, 1896) and with the correlation between wool spinning and the film rolling pace.
short film by Bruno Delgado Ramo. Shot in 16mm.
short film by Bruno Delgado Ramo
short film by Bruno Delgado Roma
A single reel, filmed by the river Júcar in Cuenca (Spain) and edited in-camera. The rhythm of the flowing waters matches the movements of the camera and those of the filmed bodies. The film strip unravels both inside and outside the camera.
short film by Bruno Delgado Ramo. Shot in 35mm.
Eleventh reel of a project that starts from the novel "Voyage autour de ma chambre" by Xavier de Maistre. Isn't memory a color film? Isn't it a color memory film? "Cinema? Yes, it is a procedure. Red is also a procedure. [...] I hope I have made a film, a procedure. Blue is also a procedure." (Marcel Broodthaers, "Cinéma", p.66) "It can also happen that that object that I now see yellow, tomorrow will see it orange. The two sensations are what they are, and they demonstrate it by 'imposing' their content on me, already yellow and orange. So I must say: in your case - yesterday - I saw O yellow, in another case - today - I see O orange. microscope, I see it in a different color or another way. I have not been deceived in the first case. I have simply seen it without the microscope. I would be deceived if I tried to assign to the second experience the color value of the first, or vice versa. " (Ignacio Gómez de Liaño, "Philosophical Illuminations")
