Jeannie

Unsuccessful writer Aylmer Franklyn takes the chance to change identities after he discovers a corpse. However, he soon finds himself accused of the murder of a maid at a near-by boarding house.

Encore is a 1951 anthology film composed of adaptations of three short stories by W. Somerset Maugham: "The Ant and the Grasshopper", directed by Pat Jackson and adapted by T. E. B. Clarke; "Winter Cruise", helmed by Anthony Pelissier, screenplay by Arthur Macrae; "Gigolo and Gigolette", directed by Harold French, written by Eric Ambler. It is the last film in a Maugham trilogy, preceded by Quartet and Trio.

Horse race tipster and journalist Metcalfe is picked for the job of foreign correspondent in Norway when Hitler invades Poland. On the way to Norway his boat is attacked by a German U-Boat, however when he tells the navy about it they disbelief him and, to make matters worse, he is removed from his job. When German forces invade Norway, Metcalfe returns determined to uncover what is going on and stop the Germans in their tracks.

Three generations of a family gather together to celebrate a golden wedding anniversary, while the family secretary has the unenviable task of smoothing out all the deep-set hostilities and jealousies.

This drama is set in Switzerland and chronicles a fight between an innkeeper and her husband, a chronic adulterer. The trouble begins when she wants to adopt a French orphan and he doesn't.

A wealthy French widow is poisoned in her home, Inspector Hanaud investigates..

World War II drama in which a member of the French Resistance and three British agents undertake a hazardous mission to infiltrate a German HQ in search of vital information that could lead to the overthrow of the Nazis.

The father of a girl in an orphanage has been writing his daughter, who doesn't remember him, tales of his success in business. Actually, he is impersonating a friend, a handsome gambler. When the father dies, the gambler takes to girl from the orphanage and tells her the truth. But the girl is now a full-grown beauty and complications arise, including those provided by a black-sheep brother.

Framed in flashback, The Man Who Loved Redheads is an anecdotal comedy about a man (John Justin) whose life is defined by his first romantic experience. That liaison occurred in Justin's youth, when the young man matures and enters the diplomatic world, he spends the rest of his career searching for his first love.