Jimmy's End

In 1925, 17-year-old orphan Lucy Gladwell is sent from England to live under the guardianship of her uncle George Huyton. Initially seduced by the sumptuous beauty of her surroundings, Lucy finds herself at odds with her violent uncle who is not the benign influence he pretends to be, and she soon falls in love with Krishna, a laborer working on a nearby plantation.

The year is 2041 and the next step in the future of humankind is imminent. After decades of training and research, the mission to create the first lunar colony is about to launch with Anderson as lead astronaut. Jay, an AI purpose built for the mission, has simulated every possible outcome for the expedition. Tensions arise when the chilling motives of Jay become apparent, sowing the seeds of distrust between Anderson, and the group that had gathered to quietly celebrate the launch. As the night descends into chaos, the group’s faith in one another and their mission begins to crack, with the knowledge that the decisions they make before sunrise, will change humanity forever...

Alan Moore, the genius 2000 AD writer behind WATCHMEN, THE LEAGUE OF EXTRAORDINARY GENTLEMEN, FROM HELL, CONSTANTINE and V FOR VENDETTA invites you into his extraordinary world with a new motion picture experience. While several of Moore’s stories have become Hollywood blockbusters, he has never previously written specifically for the screen. Until now. Created with his close friend and internationally acclaimed photographer Mitch Jenkins, comes an interconnected trilogy of terror. ‘Act of Faith’ finds a young woman looking for the next step in sexual excitement and unfortunately finding it. ‘Jimmy’s End’ tails a serial philanderer down a dark alley into a very unusual club where the top-billed attraction is The Bare Brides and their Danse Macabre and ‘His Heavy Heart’ reveals the horrifying price paid for his adultery. Clown abuse, need we say Moore!

Picks up the narrative of the hapless James Mitchum from a point following his dreadful realization at the conclusion of Jimmy’s End. In a grotesque parody of Egyptian funerary rites, James is shepherded less than gently into his unenviable afterlife.

A frighteningly focused man of many talents, passports and identities arrives at England’s broken heart, a haunted midlands town that has collapsed to a black hole of dreams, only to find that this new territory is as at least as strange and dangerous as he is. Attempting to locate a certain person and a certain artefact for his insistent client, he finds himself sinking in aquicksand twilight world of dead Lotharios, comatose sleeping beauties, Voodoo gangsters, masked adventurers, unlikely 1930s private eyes and violent chiaroscuro women… and this is Northampton when it’s still awake. Once the town closes its eyes there is another world entirely going on beneath the twitching lids, a world of glittering and sinister delirium much worse than any social or economic devastation. Welcome to the British nightmare, with its gorgeous flesh, its tinsel and its luminous light-entertainment monsters; its hallucinatory austerity.

It's raining in Northampton and Faith Harrington has Friday evening ahead of her, her favorite outfit and her favorite face, her top tunes shimmering on the CD player: "When the lamp burns low on the bureau, even though I'm far from you..." In a curtain-raiser prelude to their forthcoming short film Jimmy's End, Alan Moore and Mitch Jenkins, with Siobhan Hewlett, introduce us to a world of unfamiliar atmospheres, precarious entertainments, and insidious detail. Act of Faith unveils an isolated corner of the modern night, where carrion crows become the only comforters and it's a quarter to eternity...