Johnen: Love of Sada

Skinless Night (which borrows its title from a best-selling brand of condoms) centers on the 33-year-old Kayama Mutsuro, who supports his wife, child and a small team of employees by making porn videos. Profit margins are very low, the financier has his own troublesome ideas about the kind of tape he wants produced, the company office isn't an ideal environment for child-minding, and the job constantly throws up new challenges - like shopping for bondage gear or devising the special visual effects for a 'golden shower' scene. On top of everything else, Kayama is heading for a mid-life crisis. The rediscovery of his unfinished student film crystallizes his general sense of dissatisfaction, and leads him to rethink his life and work, to the chagrin of many of his friends, colleagues, and family members. Mochizuki's quasi-autobiographical début feature observes both the workings of the porn sub-culture and the spiritual problems of its central character.

Small-time con man, Jiro (Shunsuke Matsuoka), makes his living tricking small businesses out of large sums of money. In the process he acquires a helpmate Kumiko, a refugee from her stepfather's sexual abuse. But things start to get out of control when yakuza boss Kamewada (Shohei Hino), muscles in on the action.

Shigeru meets Ichimi at a club and they get involved. Her yakuza husband complicates matters.

After spending over half his life in prison, ex-hitman Kunihiro is determined to go straight. But the shortcomings of the new gangs mean that he is soon having to call on his old-school yakuza talents. And when he falls for Asako, a beautiful piano player, she unknowingly ignites a fire within Kuni that will immolate everything and everybody around him. Regarded by many as his masterpiece, Onibi has all the hallmarks of a Mochizuki film, with the gangster elements tightly compressed and controlled to allow space in which a subdued romance can bloom. Coming from a background in porno cinema, this master of sexual relations injects a fresh passion and tension into the macho world of the yakuza film.

The continuing adventures of Matsuzaki (Eiji Okuda), a racing tipster for a sports paper. In this sequel to 1993's The Wicked Reporter, Matsuzaki befriends a mysterious old bettor at the track named Tokudaiji (Kei Sato). The man turns out to be a well-connected millionaire and invites Matsuzaki to his home... While the sequel covers the familiar territory of gambling and gangsters, Mochizuki also attempts to tactfully approach such subjects as gender dysphoria, transvestism, and infidelity.

A couple years have passed, Matsuzaki is divorced and has a daughter and is still up to his old compulsive gambling, boozing and womanizing even as he stares middle age in the face. At his daughter's school he meets a teacher who's similarily obsessed with horserace betting and who's also frigid - something he does his best to therapize. He also reconnects with his ex-wife, who just so happens to be the literary agent and love interest of another writer of the gambling genre. An epic gambling battle between the two ensues.

Akira's wife walks out on him, leaving him to confide in his gangster brother-in-law. Using only a cryptic note as a clue the two brothers go on a road trip to find his wife. After a series of violent encounters with strangers, Akira meets a prostitute. The pair start a relationship. After Akira finds his wife, he questions whether he still wants to be with her.

Jam Films is a 2002 suite of 7 shorts produced by Sega/Amuse.