Juliet in Paris

This film, loosely inspired by Anton Chekov's The Seagull, weaves a story about sex, family and the business of making films. When the young and overly sensitive filmmaker Julien screens his new DV art-film starring his girlfriend Lili (Swimming Pool's Ludivine Sagnier) --a sexy young local girl--to his famous actress mother Mado, and her lover Brice, an accomplished film director, an unraveling of the delicate peace in their house begins. The graceful beauty Lili, who dreams of becoming a famous actress like Mado, is immediately fascinated by Brice, who gladly falls prey to her charms.

In a small town in post-World-War-II France, an unhappy sixteen-year-old (Janine Castang) tries to escape her dreary situation by any means at her disposal. Three successive friends (Michel Davenne, a married lover; Raoul, a fellow thief; Mauricette Dargelos, a photographer and fellow prisoner) help her learn from her mistakes.

In Nazi-occupied Paris, a young accompanist named Sophie Vasseur gets a job with famed singer Irene Brice. As Irene's husband Charles, a businessman collaborating with the Nazis, wrestles with his conscience, Sophie becomes obsessed with Irene, taking on the role of maid as well as accompanist, living life vicariously through Irene's triumphs and affairs.

A schoolboy Nicholas always worries about something. When he goes on a school skiing trip, all his visions and nightmares take him over.

An old psychiatrist finds out that he is likely to suffer a second and probably fatal heart attack in the near future. As a consequence he becomes determined to seduce Odile, a young woman he first encounters in a railway compartment.

A French video artist traverses Canada on a train that takes her from the east to the west through the snow. This journey leads her to encounter the last girlfriend of her ex-husband, an internationally respected showman who is now dead. Each of the two women will try to understand how the "man of their life" loved and lived with the other. See how they dance.

This finely acted, delicate and provocative new film by one of France’s most impressive filmmakers—working here with his son, Nathan—depicts the troubled life of an adopted boy who, as a taciturn adult, visits his birth mother and strikes up a relationship fraught with tension and emotion.

This French documentary is comprised of almost 300 clips from the past 100 years of cinema Francaise. The images within the documentary are free flowing and not in chronological order; they are also not hindered with unnecessary narration or lengthy introductions. The film represents the collaborative efforts of a collective of the country's finest filmmakers.

The unhappily married woman struggles to break free from social pressures and her boring suburban setting.

40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes. The results run the gamut from Zhang Yimou's convention-thwarting joke to David Lynch's bizarre miniature epic.