Kanaka Purandara
About the saints Kanaka and Purandara who led the Bhakti movement, which insisted that theological language be spoken in popular dialect rather than Sanskrit.
Girish Karnad
Director
Also Directed by Girish Karnad
Cheluvi, a poor young woman, has a secret magical power. With the magic, she turns into a tree which produces exotic flowers. Soon, her secret is spotted by Kumar, the son of the village head.
Through the story of a young widow who is devoted to her father-in-law but also desires to remarry the film portrays evolving Indian attitudes towards women's roles in society.
The movie explores the cultural problems experienced by an American woman, newly married to an Indian, adjusting to Indian norms and customs. It depicts a modern man who studies agriculture in the United States, returns to India with an American wife with their different views. The theme is one alienation from the fellow human beings.
A rural drama about the rivalry between two villages as seen through the eyes of a young boy, Kitti.
Vasantasena, a courtesan who dances at the King Palaka's court hides in Charudatta's house while running away from the amorous attentions of the king's brother-in-law. She falls in love with Charudatta, though he is married and penniless.
Subbamma (Tara), third wife of Chandre Gowda (Girish Karnad), is a rebellious mistress of the household and encourages sporadic acts of defiance against men from among her women friends.
1978 Indian Kannada language film co-written and directed by Girish Karnad with music by Bhaskar Chandavarkar, starring Shankar Nag. It has influences of the early samurai films of Japanese director Akira Kurosawa, to whom Karnad has reportedly acknowledged his indebtedness. It won the 1978 National Film Award for Best Feature Film in Kannada. Ondanondu Kaladalli paved the way for actor and director Shankar Nag's career in Kannada cinema. It gained the cult classic status among the Kannada audience.
