Kiki and Tiger

Inner chaos breaks free in two families.

German students compete to enter one of the country's elite schools.

The Little Ghost lives in the castle over looking a small town and awakens for precisely one hour after the clock strikes midnight. Follow him on this adventure to see his first sunrise ever!

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite. In contrast with other television crime series, in which killings are practically the primary focus, while Tatort handled homicide cases, the cases handled in the GDR TV's Polizeiruf were more often the more frequent, and less serious, crimes such as domestic violence, extortion, fraud, theft and juvenile delinquency, as well as alcoholism, child abuse and rape. Contrary to Tatort, which concentrated on the primary characters and their private lives, police procedure was the center of attention of Polizeiruf, especially in the earlier episodes. The scriptwriters attached particular importance to representation of the criminal and his state of mind, as well as the context of the crime. Many episodes aimed to teach and enlighten the audience about what does and what doesn't constitute appropriate behaviour and appropriate thought, rather than just to entertain. Polizeiruf was one of the few broadcasts by GDR media in which the real problems and difficulties of the supposedly more advanced socialist society could be displayed and discussed to some extent, albeit in a fictionalized and pedagogicalized environment.

Heidi, is an eight-year-old Swiss orphan who is given by her aunt to her mountain-dwelling grandfather. She is then stolen back by her aunt from her grandfather to live in the wealthy Sesemann household in Frankfurt, Germany as a companion to Klara, a sheltered, disabled girl in a wheelchair. Heidi is unhappy but makes the best of the situation, always longing for her grandfather.

The lack of an olive for his Dry Martini drives Adrian Weynfeldt one night to a nearby bar. There he meets a beautiful woman whose direct style and unpolished charm he can not escape. He takes Lorena home. The next morning Lorena stands outside the balcony railing and wants to jump down. The awkward Weynfeldt manages to dissuade her from her project. From now on, Lorena blames him for her life and tempts him to help her out of financial bottlenecks on several occasions. So he begins to pay her debts to a man named Pedroni, whom Lorena claims is a debt collector. Then his old friend Dr. Baier asks him for an impossible favor: Weynfeldt is to release a forgery of the painting "Le Salamandre" by Felix Vallotton for auction. But what does Lorena have to do with it? And is Weynfeldt, who has hitherto had nothing to do with the counterfeiters and blackmailers, resist the temptation?

According to the Swiss documentary filmmaker Richard Dindo (1944), the media want to make us believe that Swiss non-alignment during World War II was only a thin veneer around Nazi sympathies and anti-Semitic feelings. This stirred his interest in the story of Paul Grüninger, a Swiss policeman who in the late thirties provided false travel documents to hundreds of Jews who had fled from Austria.

David, a waiter, finds an unpublished manuscript in a dresser drawer. To impress a girl, he claims to be the author. When the novel becomes a best-seller the real author introduces himself in his life and begins to take-over David's life.