Koshish

J.K. is a hotel Manager in a scenic location in India. One day he gallantly comes to the rescue of a drunk daughter, Aarti, of a politician, and chooses to be discrete about it. When she recovers, she and he fall in love; get married in a small marriage ceremony, have a daughter, and thereafter differences arise to such an extent that they decide to separate. Years pass J.K. and Aarti meet again when she is an established politician, both are still attracted to each other, but she does not want her name to be tarnished and stigmatized as a "separated" woman.

This is the about the most admired poet in the History of Urdu and Persian writings, Mirza Ghalib

Aarti, a dancer, is grieving over the death of her lover, Chandan. She is befriended by Inder who eventually falls in love with her. But a revelation about their connected past leaves them in shock.

Dr. Chaudhary must perform multiple surgeries on Major Ranjeet Khanna, who was shot by the Police while trying to escape from custody after killing his wife, Pushpa, and her lover, Prakash. Chances of Ranjeet's recovery are very slim, if he does recover, he could end up mentally unstable or paralyzed. In the event he does recover, the medical staff's efforts would be in vain as he has already been found guilty and sentenced to be hanged.

Mahendra is in love with Maya and would like to marry her. But Maya is a woman of the 20th century, who does not believe in marriage, but would like to continue having a relationship. Mahendra's family pressures him into getting married, and he finally gives in and marries another woman by the name of Sudha. But Mahendra is unable to get Maya out of his mind, and his marriage with Sudha fails, and ends up with a formal separation. Years later, Mahendra and Sudha meet at a railway station, and both do remember each other, and share their experiences after their separation. There is one shocking experience that Maya does not share, but which Mahendra will find out soon.

Nimki (Sharmila Tagore) is the mortar that holds her fragile family together. She looks after her younger sisters, the mute, sweet Meethu (Shabana Azmi) and spirited Chinki (Kiran Vairale). Together the three sisters care for their aging Amma (Waheeda Rehman), a troubled, frail woman bordering on senile dementia. Geru (Sanjeev Kumar), an itinerant construction hauler in the family's village for a brief contract, rents a room from the family, and before long bonds of friendship and even love develop between Geru and the sisters.

Samir Niyogi lives in India and is assigned by the Government to travel to Rajasthan, evaluate a princely castle that once belonged to Raja Param Singh, take stock of all items, the condition of the building, and report back to the Government. Enroute to his destination by train, he permits a woman to enter his compartment, goes to sleep, and when he awakens finds her gone. A few days later, when he goes to the castle, he finds the very same woman cooking within the premises.

A realistic, hard-hitting portrayal of terrorism and youth in the Punjab after the 1984 riots.

This is a biographical film on Bhimsen Joshi who is undoubtedly the singer of this century. An exponent of the Kirana Gharana he is equally at ease with lighter varieties such as 'Bhajans' and stage shows. His guru's have taught him not to be gimmicky and therefore he remains one of the most sought after vocalists at most prestigious music concerts.

Old woman Anandi (Meena Kumari) moves to the city with her relatives and finds out their material side. She develops fondness for two rival street gangs of unemployed youth. These gangs are headed by two former friends turned foes in a time when society, politics and education are all losing their bearings in 1970s India. The film beautifully portrays how disillusioned unemployed youth get disaffected from society and education and become pawns in the game of politics.