L'Air du Temps
After a one night stand, a successful single mother helps her son find his father by placing an ad in the newspaper.
Ho Fan
Casts & Crew
Also Directed by Ho Fan
Ho Fan started his career as a Shaw Brothers actor, best known for his role as the monk Tang Seng in the classic Monkey Goes West film series. As a director, however, his forte was erotica. Like Li Han Hsiang, Ho Fan was a pioneer of the aesthetic school of erotica, known for his luscious cinematography and seductive lens. He is certainly one of the few Hong Kong erotica filmmakers to have made a respectable name for himself with Category III offerings like Adventure in Denmark, Yu Pu Tuan, and 1977's Innocent Lust. One of Ho Fan's representative works, Innocent Lust stars Ai Fei, Chan Chun Ho, and Lam Choi as college friends who are unlucky in love. They decide to go to a night club, and are surprised to discover that their innocent-looking classmate (Chan Wai Ying) works as a hostess there. When they step up to defend her from a lecherous old man, the encounter sparks off an unexpected journey of love and lust.
Lung (Tony Poon), a rookie bodyguard falls in love with the first subject he's overseeing, May (May Cheung). She has come to Hong Kong with false hopes of being a singer but she's unwillingly set to enter the world of prostitution instead. Into this equation comes a model agency head (Margaret Lee - We're Going To Eat You) who's determined to conquer the love of Lung. www.sogoodreviews.com
Wang, a womanising businessman miles away from home, makes it a sport to seduce young women. After one of his conquests got pregnant with his child and died after the abortion, one after another of his lovers are found murdered. It is only when he is arrested and convicted for these crimes that he finds himself embroiled in a plot of revenge. Based on the work of Japanese novelist Togawa Masako which was previously adapted by director Nakahira Kō into The Hunter’s Diary (1964 in Japan) and the Hong Kong version Diary of a Lady-killer (1969), Ho Fan’s remake, his third film for Shaw Brothers as director, is a stylistic tour de force and a more authentic rendering than the 1969 version, grippingly suspenseful and provocative with clever shots, dark humour, and sophisticated treatment of contemporary attitudes about sexual liberation, exploring the conflicts over human nature and desire. (By Reel to Reel Institute)
David is sitting in a bar, musing over why he has bedded and left five or six of Asia's loveliest women in such a short time.
Confirmed bachelor Man Suen, a university professor, must get married by the age of 35 otherwise he and his playboy brother Ray Suen won't inherit his father's fortune of 50 million dollars which will then go to his uncle. He is unaware that his colleague, the prim Miss Cheung, is in love with him and that she dreams of being rescued by her super-costumed hero. His brother has met a young heiress and his uncle has hired a sexy siren to prevent his marriage. This is the setting for the three lead actresses to display a surprising amount of softcore nudity and they are very attractive eye candy
One day, due to carelessness. Ah Chung is fired from his job as a toilet attendant. Out of sympathy, Ah Lien, a waitress who he secretly admires, gives him financial help. When the much indebted Ah Chung found another job, he went to return the money to Ah Lien but was disappointed to learn that she had left and married. Years later, their paths cross again in a strip-tease joint.
“Girl With Long Hair” shows how universal the look of 1970s softcore pornography was. It is populated by hipsters wearing aviator glasses and cool mustaches running after hot chicks with feathered Farrah Fawcett hairstyles and plastic jewelry. There are shag carpets on the floor and oil paintings on velvet on the walls. The decor uses the brightest colors available, especially international orange, a then ubiquitous shade that is now only seen on emergency equipment such as life jackets. The set designer and costume designer also used a lot of school bus yellow, fire engine red, and other bright, high visibility primary colors.
Hong Kong 1972. Shiu Pang is a poorly paid photographer with a very jealous fiancee. One day he meet an innocent girl and he falls in love with her. His fiancee decides to give a lesson to the young girl by sending a bunch of youngsters beating her and things goes worse and worse, the photographer's best friend dies in fighting the gangsters and the girl loses his mind, ending up in an asylum.
When two prostitutes Wah and Fong find their dreams shattered, they turn to be starred in the sex movies. A second class actress Tracy intentionally exposes her body that brings her lots of movie contract and a wealthy guy. She also seduces her sister's boyfriend and gets him caught. Her despairingly sister, losing all she uses to have, chooses to play in the pornographic movies