L'avion de minuit

“La Fontaine d'Aréthuse” opens with what has been described as a “shimmering wash of sound in the piano, octave leaps in the left hand passing above and below repeated chords in the right,” a tune which apparently suggests the splashing waters of a fountain. The story “told” by the music involves a naked water goddess on the river shore, who is pursued by a hunter, before disappearing into thin air to join her water once again. (IMDb)

The story closes in Paris in January 1871, at the height of the siege, and introduces the main character, Monsieur Morissot, a watchmaker who has enrolled in the National Guard. Morissot, who is bored, hungry, and depressed, is walking along the boulevard when by chance he bumps into an old friend, Monsieur Sauvage, with whom he used to go fishing before the war. The two old friends reminisce over several glasses of absinthe in a café;, talking wistfully of the pleasant Sunday afternoons they used to spend fishing on the banks of the Seine before the war. Tipsy from the absinthe, the friends, for want of anything else to do, decide to go fishing in their old spot, and having obtained a laissez-passer from their officer, walk along the river to Argenteuil, a few miles west of the city, in the no man's land between the French and Prussian lines.

Les Berceaux is about the dedicated sailors who venture out into the deepest ocean, and the wives who must await their return. The woman sits in her living room, gently rocking her infant’s cradle as she sings, the movement mimicking the rolling motion of the ocean waves. Many men will lose their lives to the ocean’s vast waters, but the juxtaposition of death and life (in the cradle) suggests an endless and noble cycle. Kirsanoff imaginatively places a rear-projection screen outside the woman’s window, through which, as she sings, we can watch the ocean waves lapping up against the shore, or the ship charging majestically over the water. Also worth noting is that the film was photographed by Boris Kaufman, who later also shot On the Waterfront (1954) and 12 Angry Men (1957). —Shortcutcinema.blogspot.pt

Impressionist performance of a ballet dancer to the music of Federico Mompou.

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