Lady in the Death House

A Nazi spy passes himself off as an optometrist in San Francisco's waterfront district. Someone robs him of his code book, and he must get it back.

A reworking of a familiar theme, the story finds scheming steel tycoon James J. MacGlennon (Tully Marshall) and his high-minded lawyer son Jonathan (Alan Baxter) simultaneously ending up behind bars. While incarcerated, Jonathan tries to mend his larcenous father's ways, thereby drawing closer to his not-so-bad dad.

Thomas Dekker is a diamond cutter attempting to reclaim his right to a portion of a rubber empire in the early part of the twentieth century. Tom travels to Brazil to uncover the fate of his father and along the way meets Teresa, a local girl who offers to be his guide in the jungle. Eventually, they encounter three armed men who take them to Lobato, a bandit who knew his father. Once convinced that Tom is his friend's son, Lobato tells him a lengthy story which culminates with his meeting Tom's father, who rescued him from drowning. With the help of "flashbacks" from an obscure South American feature, Tom learns what really became of his father.

Janka, a girl coming from an impoverished noble family plays the role of a fun-loving, shallow rich girl to get jobs for her parents in a countryside mansion.

A man swallows a diamond - and suddenly all people around him change their attitude towards him.

On a peaceful, pre-war winter in Czechoslovakia, the genial godfather, Jaroslav Haschek, of Vera Hascheck, presents the young girl with her first pair of ice skates. Soon, she astonished the warm-hearted people of her village with her skill, and she is acclaimed a marvel-on-ice.

During lunch break at the movie studio, the extras rush to the canteen Hans Adalbert Schlettow, Maria Paudler and Luis Trenker are chatting. Eva von Loe a beautiful young extra rushes past; she is looking for her fiancé, Paul Wessel, who is also an extra. She has to return to the set where the famous director Regisseur Hall is shooting a scen. He is dissatisfied with his star, Carla Marventa, who is wrong for the scene he must photograph. Hall notices Eva, but laughs at her desire to replace Marventa. At that moment Conrad Veidt comes on the scene and assumes that Eva is the star.

A 1933 film directed by Steve Sekely and Géza von Bolváry.