Last Words
The year is 2085 and no human babies have been born in over a decade. A group of disparate survivors respond to a call to meet in Athens, where the film’s narrator Jo, a boy of African descent, aims to make the world’s last film.
Also Directed by Marie-Castille Mention-Schaar
Mélanie, 16 years old, lives with her mother. She likes going to school, her friends, playing the cello, and she wants to change the world. But when she meets a boy on the Internet and falls in love with him, her world changes as she is gradually recruited by Daesh. Sonia is 17 years old, and she almost did something irrevocable to “guarantee” her family a place in paradise. These teenage girls might be called Anaïs, Manon or Leila, and one day they all might go some way down the recruitment process. But can they ever come back from it?
The story takes place in Carhaix, in the heart of Brittany. A small hospital, with a calm maternity clinic, where few births take place. Mathilde, a mid-wife, Firmine, a pediatric nurse, and Louise, the owner of the Carhaix bowling alley, are all friends and lead a happy existence. Catherine, director of the establishment's Human Resources, is sent to restructure the hospital and, most importantly, to eventually shut down the maternity clinic, which is losing money. Four women whose age, personalities, and origins are different, but who will form a quartet overflowing with humanity and humor as they join forces to save the clinic. Life, love, friendship, Brittany and... bowling.
Benjamin and Aude have loved each other for 7 years. They live together on a small island in Brittany. Benjamin dreams of starting a family but the couple learns that Aude is sterile. So Benjamin has an idea. He is the one who will bear their child because before being Benjamin, his name was Sarah.
95-96, year of high school. Only 17 years old, Zahia Ziouni becomes aware that her dream of becoming a conductor and her ambition to make symphonic music accessible to all and in all territories, will go through the creation of an orchestra unique in its diversitý and composition. Helped by her twin sister Fettouma, a cellist, and while she was about to conduct her very first concert, she created the Divertimento orchestra. The latter still exists and, at 44 years old, Zahia is now a conductor recognized worldwide.
Based on a true story. In Léon Blum high school in Créteil (France), a history teacher decides to have her weakest 10th grade class take a national history competition. This will change them.
Zachary is 20 years old. Dark and independent, he collects amorous conquests and school failure. Sarah is 18 years old. First class, fragile, she fills her emotional gaps with perfect control of his life. Nothing should close and yet, the year of the tank, for six months, they will live a love against which nothing can be, the true, the big one that marks a life forever.
Also Directed by Jonathan Nossiter
Mondovino (in Italian: World of Wine) is a 2004 documentary film on the impact of globalization on the world's different wine regions written and directed by American film maker Jonathan Nossiter. It was nominated for the Palme d'Or at the 2004 Cannes Film Festival and a César Award. The film explores the impact of globalization on the various wine-producing regions, and the influence of critics like Robert Parker and consultants like Michel Rolland in defining an international style. It pits the ambitions of large, multinational wine producers, in particular Robert Mondavi, against the small, single estate wineries who have traditionally boasted wines with individual character driven by their terroir.
This film concerns two mysterious characters who meet on a Sunday in Queens. Madeleine the most unsettling creature of that name since "Vertigo" is a middle-aged, moderately successful actress. Oliver/Matthew is either a homeless man or a famous film director or both. Madeleine hails him on the street as the latter, launching a bizarre chain of events that includes a conversation in a diner, a very unromantic sexual encounter, the arrival of Madeleine's odd husband and unsuspecting daughter, and a child's birthday party. The film also compassionately tracks the daily rounds of Oliver/Matthew's fellow denizens of the homeless shelter, some of whom will be recognizable to New York audiences.
Ten years after Mondovino, his analysis of the increasingly standardised wine production in France, wine expert Jonathan Nossiter picks up the thread again and shows what it means to be rooted in the soil you're working on. During walks through the vineyards and relaxed gatherings with a group of alternative Italian wine growers, he trades experiences and arguments. What looks like a bucolic paradise, where intelligent people produce wine according to time-honoured and organic methods, is actually revealed to be a battleground. The DOC association, which is supposed to look after the interest of independent vintners, promotes winemakers who produce vast amounts in a standardised quality; and the agricultural industry with its hygiene regulations excludes traditional methods of production. The only thing saving the landscape from being totally destroyed is affluent foreigners using the old vineyards as summer holiday homes.
At age 73, writer and melancholy master of the bon mot, Quentin Crisp (1908-1999), became an Englishman in New York. Rossiter's camera follows Crisp about the streets of Manhattan, where Crisp seems very much at home, wearing eye shadow, appearing on a makeshift stage, making and repeating wry observations, talking to John Hurt (who played Crisp in the autobiographical TV movie, "The Naked Civil Servant"), and dining with friends. Others who know Crisp comment on him, on his life as an openly gay man with an effeminate manner, and on his place in the history of gays' social struggle. The portrait that emerges is of one wit and of suffering.
A group of strangers from different countries end up on Rio's beaches. Seeking self-fulfillment, they look for answers to existential questions. Yet it isn't until their different paths cross that they begin to understand why they came.
Under the influence of signs and premonitions, a man allows himself to veer in and out of a love affair with his colleague.
This is a portrait of Lorenzo, a Florentine artist who has been repeating the creation of the same work of art for more than twenty years: a pliant and pointed blue-yellow-red acrylic "thread."