Le Bourgeois Gentilhomme

The Last Strange Voyage of Donald Crowhurst is a non-fiction book by Ron Hall and Nicholas Tomblin about a man who first cheated to win an international sailing competition and then disappeared from his sailboat in the final lap of the race -- a story that serves as the inspiration for this film. Director Christian de Chalonge and writer Andre G. Brunelin have changed the setting to France, with a Frenchman named Julien Dantec (Jacques Perrin) as the sailboat enthusiast and the international race is now a French competition. Julien is actually an electronics professional who is down on his luck when he decides to enter the race. He is led astray from his original good intentions by a low-life press agent who convinces him it would be well worth his while to win the race by illegal maneuvering. As he sets off, flashbacks tell how he came to be on the sailboat; later he has long monologues -- several of them, and in-between he occasionally battles to stay afloat on an uncooperative sea.

An old aristocrat, short of money, who does not accept the new world ruled by the bourgeois class ,epitomized by the industrialist and by the doctor who finally grabs the the aristocrat's castle which soon will be turned into a hospital.

Director Christian De Chalonge uses a docudrama-styled approach to tell the lonely story of Portugese workers in France. In hopes of avoiding the Army, a boy leaves Portugal bound for Paris to find a job. He meets other Portugese upon his arrival but spends most of his time wandering the streets of Paris when his friend cannot be found. The tedium of the feature overshadows the good intent to bring attention to the plight of immigrant workers struggling to survive in a new country.

Although he was once a colonel in Argentina, the principal character in this film is now a wealthy exile living in Paris with his beloved wife, who has been unable to bear children. To fill this void in their lives, he feeds and clothes abandoned children, raising them in his mansion as if they were his own. As would never be the case in real life today, in this fantasized story set in 1925, no one objects to this behavior, and they live pleasantly and enjoyably together. Things grow considerably more animated when a stage magician places his very attractive daughter in the colonel's household, which stirs a lively romantic interest from his boys and from the great man himself.

A true story shot in a German Impressionistic style. In France during the Nazi occupation, Dr. Petiot (Michel Serrault) offered to help Jews escape the Nazis. They would come to his house, and he would kindly give them lethal "vaccinations" for their anticipated travel to Argentina. Then he would steal everything the brought with them (in addition to their up-front payment to him) and burn their bodies in his home-made crematorium.

In southern France, in a quiet little town, the mayor, who also owns a castle with some cattle, is in the wine cellar with some other people: the pharmacist, the veterinary, and some of his employees. As they are drinking wine, they hear a terrible noise and the heat's getting higher and higher. They don't realize what's happening: when they come out of the cellar, they realize that everything has burned, and all the buildings are destroyed...

Behind the scenes of the theater, while the last performance has just ended, the comedian returns to his box.

Released as a memorial for the great Russian cellist Mstislav Rostropovich, who passed away on 27 April 2007, this DVD contains one bonafide cello concerto, the Schumann Cello Concerto in A minor, and two tone poems with prominent cello parts, Ernest Bloch's Schelomo and Richard Strauss' Don Quixote. Rostropovich mastered the Schumann in several famous recordings. Here, conducted by Leonard Bernstein, he provides a splendid performance. Featuring his trademark powerful technique, smooth legato and crisp vibrato, the Romantic roots of the concerto are never hidden for long, despite the relatively cool playing of the Orchestre National de France.

Live performance from the Zurich Opera House, January 2002.

A French television film inspired by events of the 18th century. The tragic failures of men, from 1764 to 1767, to bring down the Beast of Gévaudan. The first of fifteen episodes of the television series Le Tribunal de l'impossible.

Luc Bondy's 1996 production of Don Carlos was staged, recorded and filmed at the Chatelet in Paris. These seven performances were blessed with an all-star cast, loaded with important singers either starting their careers (Roberto Alagna) or at the height of their dramatic powers (Karita Mattila, Jose Van Dam.)