Le nèg'
A black teenager vandalizes a racist lawn ornament.
Robert Morin
Robert Morin
Casts & Crew
Iannicko N'Doua
Robin Aubert
Emmanuel Bilodeau
Vincent Bilodeau
Sandrine Bisson
Jean-Guy Bouchard
Claude Despins
René-Daniel Dubois
Suzanne Lemoine
Béatrice Picard
Isabelle Vincent
Sylvio Archambault
Dorothée Berryman
Serge Bradet
Gaston Caron
Also Directed by Robert Morin
Despite the fact that he is completely unrepentant about his crimes, when Regis Savoie's son asks to visit him, prison authorities grant permission for the boy to come. The thief and murderer (Gildor Roy) takes advantage of the moment of his son's arrival to steal a gun and take flight. He settles some old scores, gets together with his girlfriend, and heads for the hills, pursued by a detective who is not to be swayed in his efforts to follow and recapture him.
Un paradis pour tous is a satirical comedy about tax evasion.
At the age of twelve Helena Valero was kidnapped by the Yanomami Indians, with whom she spent 24 years in Brazil's Oneroque Basin. Upon returning to her own people in Manaus, she was rejected because of her children's mixed blood.
A botched police raid on a crack house turns into a 36 hour long siege in which the junkies share their perspective to the cameraman of a reality program.
What are the necessary elements to produce a good western? To set the stage ironically for action involving all the usual characters : the good guy, the sheriff, the bad guy and the belle. Seen here in their first roles, the players in this video come from a region of Alberta, where cowboys are born and bred. They need not look too far from everyday life to draw inspiration for a classical western...
Jeannot has Down’s Syndrome. Living in a claustrophobic suburban setting, he is treated like a child by his parents and denied any responsibilities of his own. Things change when a young woman named Pauline is hired to take care of Jeannot, and his world opens up beyond the restrictive one imposed upon him.
A man loses his job and starts to tumble. Social assistance awaits him at the first level, a poor neighborhood in the second. In the third, the wildlife of its neighbors affects its mental state. Believing that he has hallucinations in relation to those around him and to restore his objective banality, he begins to film him, secretly, like a thief, from the window of his slum. Once developed, rather than reassuring him, the films will make him go from disarray to psychosis.