Leben wie die Fürsten

Tensions arise when in a small village in post-war Germany a US military base is built.

Life and death of King Ludwig II of Bavaria.

Caught at the window just before an air-raid warning (WWII) composer Paul tells how he met his wive Anni, a revue star and song writer, how he handled the courtship and the early years of his marriage, inspite of some professional conflicts - his operas were flops, while his wive had one success after the other - they finally found out how they could help each other.

An Air Force pilot finds romance with his war buddy's widow.

Lieschen Müller is in her mid-20s, works a dull office job and fancies the handsome waiter from the diner down the street, wishing for a more exciting life. In a vivid, lucid dream she happens upon a gigantic fortune, allowing her to live out her wildest fantasies. Quickly, however, she realizes that that's not what makes her happy.

Vienna during the fin de siecle. Farmer's daughter Anuschka has to sell the farm after her father's death to the rich but mean farmer's wife Nowarek and her friendly son Jaro. Anuschka goes to Vienna and starts to work as a housemaid until she is wrongly accused of theft.

An isolated man living in a cottage in the mountains one day discovers a mysterious unconscious woman and takes her in.

The setting is Lugano (Switzerland), where an apparently very important world conference takes place. The film tells the story of the young Kitty (Hannelore Schroth), who works as a manicurist at the Eden Hotel, and who in the course of events gets to know both a young journalist (Christian Gollong) and the English minister of economics (Fritz Odemar). A lot of wild mix-ups, comic situations, a love story and occasional singing ensue, and in the end most of the VIPs have gained their share of laughter… There’s also a great performance by Paul Hörbiger as the hotel porter. For a 1939 film made in Germany, “Kitty” is remarkably irreverent and satirical about politics.