Les Paladins by Jean-Philippe Rameau or Baroque that Rocks
Featurette from the Opus Arte DVD of Les Paladins by Jean-Philippe Rameau staged at the Théâtre du Chatelet in Paris, 2004.
Reiner Moritz
Casts & Crew
Sylvie Boisseau
William Christie
Dominique Hervieu
Stéphanie d'Oustrac
Sandrine Piau
Laurent Naouri
José Montalvo
François Piolino
René Schirrer
Jean-Pierre Brossmann
Topi Lehtipuu
Also Directed by Reiner Moritz
Alessandro Corbelli takes the title role in this production of Puccini's compact opera, in which the scheming Gianni Schicchi retrieves for himself the spoils of a disinherited family to pave the way for his daughter to marry her love. From Palais Garnier (Opéra National de Paris).
A documentary about Nikolaus Lehnhoff's 2004 production of Wagner's last opera, Parsifal, at the Festspielhaus Baden-Baden. Interviews, behind-the-scenes footage and clips of the live performances provide a documentary analysis of the opera on the quest for the holy grail.
60 minute documentary on the background of the 2003 production of Les Boréades at the Opéra national de Paris, including interviews with Robert Carsen, William Christie, Barbara Bonney, Paul Agnew and Laurent Naouri and other members of the cast.
Underestimated by his contemporaries, but today acclaimed as one of the greatest and imaginative composers of his time. Anton Bruckner was a genius of tones. Such great conductors like Kent Nagano, Valery Gergiev and Simon Rattle let the composer comes alive in the documentary „Anton Bruckner – The Making of a Giant“ telling the ups and downs of life through his music.
A profile of mezzo-soprano Anne Sofie von Otter.
In commemoration of the 40th anniversary of Dmitri Shostakovich's death in 2015, filmmaker Reiner Moritz produced his documentary Dmitri Shostakovich, A Man of Many Faces. With British actor John Hurt as narrator, Moritz examines Shostakovich's life, focusing in on two events in particular: the 1936 banning of his highly successful opera Lady Mabeth of the Mtsensk District, and the composer's labelling as a "formalist and cosmopolitan" in 1948. Despite such setbacks, Shostakovich went on to pursue a resilient and fulfilling career that testifies to the power of art in the face of a dictatorial terror regime. In telling his story, Mortiz weaves together rare footage of the composer himself talking and performing his Concerto for Piano, Trumpet, and Strings with captivating performances of his 15 symphonies and 6 concertos by Valery Gergiev and the Mariinsky Orchestra and filmed excerpts of Lady Macbeth and his quartets.