Let the Sunshine In

In 2014, artist Olafur Eliasson and filmmaker Claire Denis connected for the first time to explore and discuss their common fascination with phenomena that have not yet been fully explained by science – such as black holes – and their shared interest in abstraction. This short film by Denis, contemplating tests for Eliasson's work ‘Contact’, is one outcome of that conversation which would eventually lead to their collaboration on Denis's film High Life (2018), in which Eliasson designed the light installations at the films end.

One of a series of short films inspired by paintings. In this video, Jacques de Loustal's Le Contemplatif or "Duo".

An emotionally cold man leaves the safety of his Alpine home to seek a heart transplant and an estranged son.

Claire Denis goes to Eastern Chad to the Breidjing camp, the home of 40,000 refugees from Darfur. With great humility, she tells the stories of these men and women, victims of one of the worst humanitarian catastrophes that this century has seen so far.

Monte and his baby daughter are the last survivors of a damned and dangerous mission to the outer reaches of the solar system. They must now rely on each other to survive as they hurtle toward the oblivion of a black hole.

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.

Set in 1984 during the Nicaraguan Revolution, the film follows a mysterious English businessman and headstrong American journalist who strike up a passionate romance. They soon become embroiled in a dangerous labyrinth of lies and conspiracies and are forced to try and escape the country, with only each other to trust and rely on.

Short documentary about an archetypal library concept for kids in Clamart.

He is an Aluku man, one of the five tribes of Maroons who survives in the forest during 400 years after escaping from the Dutch sugarcane plantations. All the Maroons are issued originally from the West coast of Africa. They were taken as slaves.

Paris, 1995. Laure is about to meet friends for dinner. But on her way out, she discovers that the entire city is stalled by a massive transit strike. When a handsome stranger offers her a ride, Laure takes a highly charged, impossibly erotic detour.