Lily in Love

Karoly Makk's heartbreaking story of two unmarried sisters who cast wistful glances back at their lives, but still believe in hope and love, earned an Academy Award Nomination for Best Foreign Language Film in 1974. In this follow-up to the director's internationally acclaimed Love, Makk once again exhibits his extraordinary skills at drawing emotionally compelling performances from his talented female leads. Makk's film opposes the bleakness of the outside world with passion, love, and loyalty.

Political and sexual repression in Hungary, just after the revolution of 1956. In 1958, the body of Eva Szalanczky, a political journalist, is discovered near the border. Her friend Livia is in hospital with a broken neck; Livia's husband, Donci, is under arrest. In a flashback to the year before, we see what leads up to the tragedy. Eva gets a job as a writer. She meets Livia and is attracted to her. Livia feels much the same, but as a married woman, has doubts and hesitations. In their work, they (and Eva in particular) bang up against the limits of telling political truths; in private, they confront the limits of living out sexual and emotional truth.

Bene, tired of the professional battles of engineers and trying to escape a ship-wrecked marriage, asks to be transferred to the country. The gravest problem of the sandy region in Nagyalföld (Great Hungarian Plain) is the shortage of water. The tireless director of the local state farm asks for Bene's support, but the disillusioned man refuses him.

The chroniclers are diligently scribbling the history of life and deeds of the virtuous and wise King Matthias, who, in the meantime, sneaks out of the palace in disguise. Instead of attending a boring reception of the imperial deputies and papal legates, he pays his address to three pretty women from Szelistye.

The father of brain surgeon Zoltán Sebők celebrates his 75th birthday in the company of their relative, the lovely Mira, from Cluj-Napoca, when his son comes to their house in Lake Balaton in complete torment.

Under pressure from his publisher, Russian novelist Fyodor Dostoyevsky gets work on his latest piece, 'Rouletenberg'. In the 27 days it takes for him to complete the novel reality and fiction become blurred; in this feverish atmosphere of excess Dostoyevsky's characters come to life as he struggles to complete his work.

Miklós Jancsó makes fun of his reputation for creating exceptional visuals in "A nagy agyhalál AKA The Great Brain Death." It is the most difficult vignette and while visually stunning, remains difficult to decipher, she breaks with allegorical storytelling.