Lost Child

A high school boy interested in serial killers suspects his reclusive neighbor is going around murdering teenage boys. According to the video box "This movie contains graphic images of stragulation, implied perverted sexual situations including masturbation obsession, sodomy, necrophilia, foot fetish and also contains brief nudity."

Drew, a young man bullied and abused throughout his life, aspires to be a body builder, but can't quite achieve his goals. His sanity ends when his girlfriend leaves him for being too much of a health fanatic, and he's beaten up and bullied just one too many times. He begins murdering local body builders, as he searches for the ultimate key to health and strength. Inevitably his search leads him to an ancient secret, which adds new truth and meaning to the saying: "you are what you eat."

Jane and Jackie (Pamela Sutch and Christine Taylor) are driven far beyond the brink of madness after witnessing the brutal rape and murder of their younger sister (Tina Krause) by a group of marauding college fraternity brothers. Upon the release from an insane asylum, the sisters embark on a relentless search for the guys that raped and strangled their sister. Obsessed with revenge and fueled by a hatred of all men, they kill any man that crosses their path, retaining his severed genitals as a trophy. Co-director Jacelone liked the story so much that he also directed a higher-budgeted remake, which was filmed in 1996-97 and released in 1998.

Mean and domineering Jane and the sweet and ditsy Jackie are two radically contrasting sisters who suffer from severe trauma after witnessing the murder/suicide of their parents as well as seeing their other sibling Janice raped and killed by her assailants. The pair are deemed fit to re-enter society and get released from a sanitarium where they have undergone extensive rehabilitation therapy. However, Jane and Jackie prove to be anything but sane and harmless as they embark on a vicious spree in which they torture, murder, and mutilate any man luckless enough to cross their lethal paths.

Two brothers are the first to arrive at Sara's Birthday Party...There is one uninvited guest - it lives in the shed.

Amy and Bill are on a romantic getaway when they come across an old second-hand store. Amidst the clutter, Amy unearths a beautiful antique mirror and immediately is overcome by a deep inner desire to caress and explore her luscious body in ways she never thought possible. Amy quickly buys the mirror only to discover the ghostly legend of the sexually insatiable whorehouse madame trapped inside it. Powerless to control herself, Amy indulges her naughtiest fantasies when standing before the shimmering mirror. Soon all her female friends are introduced to its seductive supernatural energy, and none of them can deny the lesbian urges that overtake their sweet young bodies, transforming them into writhing sex-machines that cannot be satisfied. But amidst the moans of pleasure, how could Amy possibly realize the terrifying consequences of her actions, and the fate the ghost in the mirror has in store for each of them. Will it be infinite ecstasy or endless erotic longing?

A psycho housewife (Tiffany Shepis) spins three tales of horror in this anthology.

Father Frank, a devoted priest, discovers the secret diary of his friend, Father Richard, which describes his strange double life. Father Richard is a highly respected priest and counselor at an all boys' college. But in the shadows of insanity he is a psychopathic serial killer responsible for the strangulation murders of over 80 young men and boys. The diary recounts his troubled childhood and adolescence and the circumstances which lead to his sick transition from a loving father figure to a perverted masked maniac.

Shopping carts come to life with a thirst for blood

Tonya is a high priced hit-woman specializing in seducing and eliminating men. With girl killer hit-man "C.D." missing, Tonya is contracted to snuff out a beautiful young woman, Judy. Reluctantly going against her "guys only" policy, she accepts the job but soon develops an emotional attachment to the girl. Struggling over feelings of affection complicated by a developing gun fetish, Tonya soon becomes haunted with visions of shooting girls, and her own bloody death. Her feelings culminate and explode orgasmically during a final confrontation with her intended victim.