Lost, Lost, Lost

In his latest film, Mekas shares what he describes as “a valentine to Yoko Ono,” done in his signature diaristic style. Mixing the familiar 16mm film with DV video, he offers a fly-on-the-wall look at intimate moments spent with one of the foremost artists of that era, including performances by Ono and new footage of her recent work—a testament to her endurance and the friendships she has made and kept over the years.

In late 1966 I visited Stan Brakhage in Rollinsville, Colorado. This is a portrait of Stan at home, with his family, his animals, and the surroundings, 9000 feet high.

This is a video record of the Buddhist Wake ceremony at Allen Ginsberg's apartment. You see Allen, now asleep forever, in his bed; some of his close friends; and the wrapping up and removal of Allen's body from the apartment. You hear Jonas' description of his last conversation with Allen, three days earlier. You see the final farewell at the Buddhist temple, 118 West 22nd Street, New York City, and some of his close friends: Patti Smith, Gregory Corso, LeRoy Jones-Baraka, Hiro Yamagata, Anne Waldman, and many others.

Mekas lived in SoHo for a long time, and the towers naturally kept popping up: when he would film his friends on the street, hippie happenings on rooftops, family outings to the waterfront.

Matsuo Basho's haiku are internationally revered for their clarity, brevity and insight. Learn about this great haiku poet.

In the Kontti gallery, Kiasma presents a selection of Jonas Mekas’ films from the 1970s through to the 1990s. Born in Lithuania, Mekas fled from his native land in 1944 and finally settled in the United States. His circle of friends included writers, musicians and artists, such as Andy Warhol, Nico, Allen Ginsberg, Yoko Ono, John Lennon and Salvador Dalí, all of whom can also glimpsed in his films.

Forty years ago, the couple staged an act of nonviolent protest in support of peace

Video diary film by Jonas Mekas, premiered at the British Film Institute on December 5, 2017.

A meditation on the time when the world watched as filmmaker Jonas Mekas' home country of Lithuania fought for independence. An immersion into the addictive grasp of the 24-hour news cycle, into a moment of major social upheaval, and into one very personal fixation of an obsessive chronicler.

The life and work of Fluxus artist George Maciunas as seen in clips filmed between 1952 and 1978.