Ma sœur est un chic type

Author Jean Dorset has suffered from a bad case of writer's block since his first novel became a bestseller. He lives in a small apartment in Paris with his wife Michelle and, in spite of their ostensible success, the couple are having trouble making ends meet. One day they receive the utterly unexpected news that they are the sole inheritors of a wealthy neighbor, M. Guillemet, whom they have never met. Guillemet has left them his old townhouse along with all of his belongings, but with two conditions -- the first is that the dead man's papers be left untouched, and the second is that his live-in maid Clemence Richbourg remain employed at the estate. The Dorsets soon learn why they were the recipients of such strange generosity. Guillemet had set up a camera with a massive zoom lens pointing to their bedroom window. The couple is shocked and disgusted, but not enough to give up their new tony digs.

Thomas is a talented computer programmer living in a vibrant, urban metropolis. Lonely and unsure about life, he finds solitude in the world of internet chat rooms, webcam sites and virtual communication. One evening, Thomas witnesses the brutal murder of a webcam friend and in a vain attempt to protect her he becomes the prime suspect in the homicide. Determined to prove his innocence, Thomas teams up with Claire, a specialist in internet crimes to uncover the truth. To expose the murderer, Claire and Thomas decide to set up their own webcam site using Claire as the cyber bait. Somewhere down the line the truth becomes blurred and Thomas no longer knows where to turn or who to trust. As his life starts to spiral out of control, he has to face the terrifying reality that he could be the next victim.........the virtual nightmare has only just begun.

Françoise Dorléac et Catherine Deneuve were nearly twins. Only 18 months separated these sisters who liked to say “Both of us could make the ideal woman”. Françoise Dorléac created her own style, unique even in France : a rare mix of elegance, humor, glamour. This is a touching portrait of an actress whose glory was cut short, seen through the eyes of her sister Catherine.

A Woman of Paris (1923) was the first film Chaplin made for United Artists Film Corporation, which he founded with his friends Mary Pickford, Douglas Fairbanks and D. W. Griffith. Chaplin had long considered making a dramatic feature. For the first time, he decided to direct. Actress and filmmaker Liv Ullmann analyses the film. She talks about the acting, the originality of the characterizations, as well as the "feminine" viewpoint Chaplin adopted for the first time in his films.

This series of sketches introduces doctor Apfelglück and four of his patients... and their rather peculiar and disturbing problems.